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  • Objects with changed or unknown ownership in continental Europe between 1933-1945. Learn more
Showing 599 results for Marcos de Orozco
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The triumph of faith, a soldier standing in centre holding shield adorned with arms of Alva; Holy Trinity above, St James Major on horseback at left
Marcos de Orozco
1698
Piazza San Marco
Canaletto (Giovanni Antonio Canal)
late 1720s
Charango
Marcos Manufactory
late 19th century
The miraculous image of Christ in the parish church of Humanes (Madrid)
Marcos de Orozco
1699
'Rear Guard' (or 'On the Road'): women carrying rifles and children
José Clemente Orozco
1929
Scenes from the Life of Saint John the Baptist
Francesco Granacci (Francesco di Andrea di Marco)
ca. 1506–7
Mars, Venus and Cupid with Vulcan at his forge (the Mantuan Roundel)
Gian Marco Cavalli
ca. 1500
Girl with Cherries
Marco d'Oggiono
ca. 1491–95
The Crucifixion
Francesco Granacci (Francesco di Andrea di Marco)
ca. 1510
Caja vacia de zapatos
Gabriel Orozco
1993
El Sillon de mi perro
Gabriel Orozco
1991
Juan de Pareja (ca. 1608–1670)
Velázquez (Diego Rodríguez de Silva y Velázquez)
1650
Head of an Old Woman
Orazio Borgianni
after 1610
Marble statue of a kouros (youth)
Greek, Attic
ca. 590–580 BCE
Poster advertising an exhibition of the work of Carlos Orozco Romero at the Galleria de Arte Moderno; portrait of Orozco upper left
María Marín de Orozco
1927
The dome of a church and other buildings, from the portfolio 'Los pequeños grabadores en madera, alumnos de la Escuela Preparatoria de Jalisco' (Guadalajara, Mexico 1925).
Wenceslao Orozco
ca. 1924
Effigy of the Virgin, possibly part of street parade, from the portfolio 'Los pequeños grabadores en madera, alumnos de la Escuela Preparatoria de Jalisco' (Guadalajara, Mexico 1925).
Wenceslao Orozco
ca. 1924
Portrait of Carlos Orozco Romero, from the portfolio 'Los pequeños grabadores en madera, alumnos de la Escuela Preparatoria de Jalisco' (Guadalajara, Mexico 1925).
María Marín de Orozco
ca. 1924
Poster advertising an exhibition of the work of Carlos Orozco Romero at the Galleria de Arte Moderno (9–22 March); portrait of Orozco upper left
María Marín de Orozco
1927
Dancers
Carlos Orozco Romero
1931
The Denial of Saint Peter
Caravaggio (Michelangelo Merisi)
1610
Head a woman facing the viewer, from the portfolio 'Los pequeños grabadores en madera, alumnos de la Escuela Preparatoria de Jalisco' (Guadalajara, Mexico 1925).
María Marín de Orozco
ca. 1924
Head a man facing the viewer, from the portfolio 'Los pequeños grabadores en madera, alumnos de la Escuela Preparatoria de Jalisco' (Guadalajara, Mexico 1925).
María Marín de Orozco
ca. 1924
A woman standing and facing the viewer, from the portfolio 'Los pequeños grabadores en madera, alumnos de la Escuela Preparatoria de Jalisco' (Guadalajara, Mexico 1925).
María Marín de Orozco
ca. 1924
Head of a woman facing right, bird cage in the background, from the portfolio 'Los pequeños grabadores en madera, alumnos de la Escuela Preparatoria de Jalisco' (Guadalajara, Mexico 1925).
María Marín de Orozco
ca. 1924
Head a young woman facing the viewer, from the portfolio 'Los pequeños grabadores en madera, alumnos de la Escuela Preparatoria de Jalisco' (Guadalajara, Mexico 1925).
María Marín de Orozco
ca. 1924
Music/Drama
Jean de Marco
1958
Music/Drama
Jean de Marco
1958
A woman with tousled hair
José Clemente Orozco
1944
Head of woman
José Clemente Orozco
1944
Prometheus, hands raised above his head
José Clemente Orozco
1935
Head of woman in profile, to right
José Clemente Orozco
1944
Portfolio of three colour prints
Carlos Orozco Romero
1939
Head of a Woman (La chata/pug-nose)
José Clemente Orozco
1935
"Lady" Armchair
Marco Zanuso
1951
Poster warning of the dangers of fetal alcohol syndrome
Carlos Orozco Romero
Ca. 1928–1930
Vaudeville in Harlem, New York
José Clemente Orozco
1928
Heroic Head
Clara Fasano
1940
Allegory on the Fidelity of the Lizard (recto); Design for a Stage Setting (verso)
Leonardo da Vinci
1496
Don Gaspar de Guzmán (1587–1645), Count-Duke of Olivares
Juan Bautista Martínez del Mazo
ca. 1636 or later