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  • As part of the Met's Open Access policy, you can freely copy, modify and distribute this image, even for commercial purposes.
    APIPublic domain data for this object can also be accessed using the Met's Open Access API
  • Objects with changed or unknown ownership in continental Europe between 1933-1945. Learn more
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Plate 44 from "The Disasters of War" (Los Desastres de la Guerra): I saw it (Yo lo vi)
Goya (Francisco de Goya y Lucientes)
1810 (published 1863)
Plate 44 from "The Disasters of War" (Los Desastres de la Guerra): 'I saw it' (Yo lo vi)
Goya (Francisco de Goya y Lucientes)
1810
Plate 7 from "The Disasters of War" (Los Desastres de la Guerra): 'What courage!' (Que valor!)
Goya (Francisco de Goya y Lucientes)
1810 (published 1863)
Housing (folio) and title page for 'Los Proverbios. Coleccion de diez y ocho láminas inventadas y grabadas al agua fuerte por Don Francisco Goya
Goya (Francisco de Goya y Lucientes)
1864
The Custody of a Prisoner Does Not Call for Torture (La seguridad de un reo no exige tormento)
Goya (Francisco de Goya y Lucientes)
ca. 1815; published ca. 1859
Christ at Emmaus: The Larger Plate
Rembrandt (Rembrandt van Rijn)
1654
Plate 42 from "The Disasters of War" (Los Desastres de la Guerra): 'Everything is topsy-turvey' (Todo va revuelto)
Goya (Francisco de Goya y Lucientes)
1810 (published 1863)
Plate 46 from "The Disasters of War" (Los Desastres de la Guerra): 'This is bad' (Esto es malo)
Goya (Francisco de Goya y Lucientes)
1810 (published 1863)
Plate 7 from "La Tauromaquia": Origin of the harpoon or banderillas
Goya (Francisco de Goya y Lucientes)
1816
Plate 9 from "The Disasters of War" (Los Desastres de la Guerra): 'They don't like to' (No quieren)
Goya (Francisco de Goya y Lucientes)
1810 (published 1863)
Bound set of "Los Caprichos"
Goya (Francisco de Goya y Lucientes)
1799 (published 1881–1886)
Plate 34 from "The Disasters of War" (Los Desastres de La Guerra): 'On account of a knife' (Por una navaja)
Goya (Francisco de Goya y Lucientes)
1810 (published 1863)
Plate 18 from "The Disasters of War" (Los Desastres de la Guerra): 'Bury them and keep quiet' (Enterrar y callar)
Goya (Francisco de Goya y Lucientes)
1810 (published 1863)
Peter and John Healing the Cripple at the Gate of the Temple
Rembrandt (Rembrandt van Rijn)
1659
Plate 37 from "Los Caprichos": Might not the pupil know more? (Si Sabrá mas el discipulo?)
Goya (Francisco de Goya y Lucientes)
1799
Plate 22 from "The Disasters of War" (Los Desastres de la Guerra): 'Even worse' (Tanto y mas)
Goya (Francisco de Goya y Lucientes)
1810 (published 1863)
Plate 78 from "The Disasters of War" (Los Desastres de la Guerra): 'He defends himself well' (Se defiende bien)
Goya (Francisco de Goya y Lucientes)
1814–15 (published 1863)
A Scholar in His Study ('Faust')
Rembrandt (Rembrandt van Rijn)
ca. 1652
Burin Spall
ca. 1184–664 B.C.
The Remonstrant Preacher Johannes Uytenbogaert
Rembrandt (Rembrandt van Rijn)
1635
Allegorical Subject: Nude Woman, Three Children and a Mousetrap (La Sourcière)
Claude Mellan
Plate 29 from "The Disasters of War" (Los Desastres de la Guerra): 'He deserved it' (Lo merecia)
Goya (Francisco de Goya y Lucientes)
ca. 1810 (published 1863)
Plate 41 from "Los Caprichos": Neither more nor less (Ni mas ni menos)
Goya (Francisco de Goya y Lucientes)
1799
Plate 58 from "The Disasters of War" (Los Desastres de la Guerra): 'It's no use crying out' (No hay que dar voces)
Goya (Francisco de Goya y Lucientes)
1811–12 (published 1863)
The Women's Lament, from Lysistrata by Aristophanes
Pablo Picasso
1933, printed 1961
Plate 40 from "The Disasters of War" (Los Desastres de La Guerra): 'He gets something out of it' (Algun partido saca)
Goya (Francisco de Goya y Lucientes)
ca. 1810 (published 1863)
Plate 22 from "La Tauromaquia": Manly courage of the celebrated Pajuelera in [the ring] at Zaragoza
Goya (Francisco de Goya y Lucientes)
1816
Plate 17 from "The Disasters of War" (Los Desastres de la Guerra): 'They do not agree' (No se convienen)
Goya (Francisco de Goya y Lucientes)
ca. 1810 (published 1863)
Soldier Beating a Drum and Sentinel
Stefano della Bella
1641
The Follies (Disparates [Los Proverbios])
Goya (Francisco de Goya y Lucientes)
1815–19
Plate 2 from "The Disasters of War" (Los Desastres de la Guerra): 'Rightly or wrongly' (Con razon ó sin ella)
Goya (Francisco de Goya y Lucientes)
1810 (published 1863)
Les Pères du désert
Jean Jacques de Boissieu
1797
Plate 49 from "The Disasters of War" (Los Desastres de la Guerra): 'A woman's charity' (Caridad de una muger)
Goya (Francisco de Goya y Lucientes)
1811–12 (published 1863)
Woman in an Armchair: Dora Maar
Pablo Picasso
1939, printed 1961
Plate 13 of "La Tauromaquia": A Spanish mounted knight in the ring breaking short spears without the help of assistants
Goya (Francisco de Goya y Lucientes)
1816
Plate 41 from "The Disasters of War" (Los Desastres de La Guerra): 'They escape through the flames' (Escapan entre las llamas)
Goya (Francisco de Goya y Lucientes)
1810 (published 1863)
Plate 16 of "La Tauromaquia": The same man throws a bull in the ring at Madrid
Goya (Francisco de Goya y Lucientes)
1816
Plate 1 from "Los Caprichos": Self-portrait
Goya (Francisco de Goya y Lucientes)
1799
Horizontal Panel with a Row of Flowers Above a Frieze with a Hunting Scene in a Landscape, from Livre Nouveau de Fleurs Tres-Util
Nicolas Cochin
1645
Plate 28 from "Los Caprichos": Hush (Chiton)
Goya (Francisco de Goya y Lucientes)
1799