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Strand of Beads, Carnelian
9th–12th century
Incense Burner of Amir Saif al-Dunya wa’l-Din ibn Muhammad al-Mawardi, Ja`far ibn Muhammad ibn `Ali, Bronze; cast, engraved, chased, pierced
Ja`far ibn Muhammad ibn `Ali
dated 577 AH/1181–82 CE
Velvet with Figural Imagery, Silk, metal wrapped thread; cut and voided velvet
mid-16th century
Fragment of a Kaftan Back, Silk, metal wrapped thread; taqueté (seraser)
mid-16th century
Ceiling, Wood; carved, painted, and gilded
16th century
"Preparing Medicine from Honey", from a Dispersed Manuscript of an Arabic Translation of De Materia Medica of Dioscorides, 'Abdullah ibn al-Fadl, Ink, opaque watercolor, and gold on paper
'Abdullah ibn al-Fadl
dated 621 AH/1224 CE
Turquoise Bowl with Lute Player and Audience, Stonepaste; glazed (opaque monochrome), in-glaze- and overglaze-painted, gilded
late 12th–early 13th century
Armlet, Gold; filigree and granulation
first half 11th century
Brazier of Rasulid Sultan al-Malik al-Muzaffar Shams al-Din Yusuf ibn 'Umar, Brass; cast, chased, and inlaid with silver and black compound
second half 13th century
Bowl with Eagle, Muslim Ibn al-Dahhan  Egyptian, Earthenware; luster-painted on opaque white glaze
Muslim Ibn al-Dahhan
ca. 1000
Standing Figure with Jeweled Headdress, Gypsum plaster; modeled, carved, polychrome-painted, gilded
12th–early 13th century
Khusrau and Shirin, Hatifi  Iranian, active Istanbul, Main support: ink, opaque watercolor, and gold on paper; binding: leather
Hatifi
Suzi
dated 904 AH/1498–99 CE
"The Feast of Sada", Folio 22v from the Shahnama (Book of Kings) of Shah Tahmasp, Abu'l Qasim Firdausi  Iranian, Opaque watercolor, ink, silver, and gold on paper
Abu'l Qasim Firdausi
Sultan Muhammad
ca. 1525
Flower-Style Box with Drawers, Wood (poplar); overlaid with ebony inlaid with wood and incised, stained ivory
17th century
Panel with Horse Heads, Wood (teak); carved
11th century
Kitab suwar al-kawakib al-thabita (Book of the Images of the Fixed Stars) of al-Sufi, `Abd al-Rahman al-Sufi  Iranian, Ink and gold on paper; leather binding
`Abd al-Rahman al-Sufi
late 15th century
Dedicatory Inscription from a Mosque, Gabbro; carved
dated 905 AH/1500 CE
Base for a Water Pipe (Huqqa) with Irises, Zinc alloy; cast, engraved, inlaid with brass (bidri ware)
late 17th century
Jewelry Elements, Gold sheet; worked, chased, and set  with turquoise, gray chalcedony, and glass
late 14th–16th century
"The Angel Gabriel meets 'Amr ibn Zaid (the Shepherd)", Folio from a Siyer-i Nebi (the Life of the Prophet), Mustafa ibn Vali, Ink, opaque watercolor, and gold on paper
Multiple artists/makers
ca. 1595
Folio from a Qur'an Manuscript, Ink, gold, and watercolor on paper
dated 531 AH/1137 CE
Luster Bowl with Winged Horse, Stonepaste; luster-painted on opaque monochrome glaze
late 12th century
Pyxis (Cylindrical Container), Stonepaste; luster-painted on incised, opaque white glaze
late 11th–early 12th century
Folio from a Mu'nis al-ahrar fi daqa'iq al-ash'ar (The Free Man's Companion to the Subtleties of Poems) of Jajarmi, Muhammad ibn Badr al-Din Jajarmi  Iranian, Ink, opaque watercolor, and gold on paper
Muhammad ibn Badr al-Din Jajarmi
dated 741 AH/1340–41 CE
Finial in the Form of a Parrot, Brass
17th–18th century
Black Stork in a Landscape, Opaque watercolor on European paper
ca. 1780
Ewer with a Feline-Shaped Handle, Bronze; cast, chased, and inlaid with copper
7th century
Dish Depicting Two Birds among Flowering Plants, Stonepaste; polychrome painted under transparent glaze
ca. 1575–90
Astrolabe of ‘Umar ibn Yusuf ibn ‘Umar ibn ‘Ali ibn Rasul al-Muzaffari, ‘Umar ibn Yusuf ibn ‘Umar ibn ‘Ali ibn Rasul al-Muzaffari  Yemini, Brass; cast and hammered, pierced, chased, inlaid with silver
‘Umar ibn Yusuf ibn ‘Umar ibn ‘Ali ibn Rasul al-Muzaffari
dated 690 AH/1291 CE
Bowl Emulating Chinese Stoneware, Earthenware; painted in blue on opaque white glaze
9th century
Dragon-Handled Jug with Inscription, Brass; cast and turned, engraved, and inlaid with silver, gold, and black organic compound
early 16th century
Pair of Minbar Doors, Wood (rosewood and mulberry); carved and inlaid with carved ivory, ebony, and other woods
ca. 1325–30
Tile with Floral and Cloud-band Design, Stonepaste; polychrome painted under transparent glaze
ca. 1578
Five Medallion Carpet, Wool (warp, weft, and pile); asymmetrically knotted pile
ca. 1500
Damascus Room, Wood (poplar) with gesso relief, gold and tin leaf, glazes and paint; wood (cypress, poplar, and mulberry), mother-of-pearl, marble and other stones, stucco with glass, plaster ceramic tiles, iron, brass
dated 1119 AH/1707 CE
"Isfandiyar's Third Course: He Slays a Dragon", Folio 434v from the Shahnama (Book of Kings) of Shah Tahmasp, Abu'l Qasim Firdausi  Iranian, Opaque watercolor, ink, silver, and gold on paper
Abu'l Qasim Firdausi
Qasim ibn 'Ali
ca. 1530
'Lotto' Carpet, Wool (warp, weft and pile); symmetrically knotted pile
16th century
Panel from a Rectangular Box, Ivory; carved, inlaid with stone with traces of pigment
10th–early 11th century
"A King Offers to Make Amends to a Bereaved Mother", Folio from a Khamsa (Quintet) of Amir Khusrau Dihlavi, Amir Khusrau Dihlavi  Indian, Main support: Ink, opaque watercolor, gold on paper<br/>Margins: Gold on dyed paper
Amir Khusrau Dihlavi
Miskin
1597–98
"Farhad Carves a Milk Channel for Shirin", Folio 74 from a Khamsa (Quintet) of Nizami of Ganja, Nizami, Ink, opaque watercolor, and gold on paper
Multiple artists/makers
931 AH/1524–25 CE