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  • Objects with changed or unknown ownership in continental Europe between 1933-1945. Learn more
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Nude Youth Running (recto); Standing Draped Old Man with Left Hand Upraised (verso)
Pietro Testa
1612–50
Study for the Etching Venus and Putti
Pietro Testa
1612–50
The adoration of the shepherds who gather at left, angels holding a banderole upper right
Anonymous, 18th century
1700–1800
A young man at left standing between Vice and Virtue holding a shield flanked by figures; attributes and personifications of Virtue at left, satyrs, Pan and dancing figures representing Vice at right
Pietro Testa
ca. 1644
Allegory of Penance and Death
Pietro Testa
1612–50
Plato's symposium: Socrates and his companions seated around a table discussing ideal love interruputed by Acibiades at left
Pietro Testa
1648
The prodigal son seated on a couch being served wine, revelers in the background, a monkey wearing a collar and chain in the lower right
Anonymous, 17th century
1650–1700
Venus giving Arms to Aeneas
Pietro Testa
ca. 1638–40
Sacrifice of Isaac: an angel presses against the dagger-bearing arm of Abraham, who stands next to Isaac on an altar, God the Father and an angel bearing a lamb approach from the left
Pietro Testa
ca.1645–50
The school of painting (Il Liceo della Pittura)
Pietro Testa
ca. 1638
The deluge, figures being pulled from the water
Pietro Testa
ca. 1640–42
The Adoration of the Magi, set before and architectural colonnade
Pietro Testa
ca 1650–60
The Holy Family fed by Angels
Pietro Testa
ca. 1642–44
The martyrdom of Saint Erasmus who is prostrate having his innards removed
Anonymous, 17th century
1630–60
The dead Christ accompanied by angels at right
Giovanni Cesare Testa
1650–55
St. Carlo Borromeo surrounded by angels
Pietro Testa
1650–70
The adoration of the Virgin and Christ Child
Anonymous, 18th century
1700–1800
Study for a pendentive depicting Justice and Charity
Giovanni Cesare Testa
1630–50
Saint Sebastian being tied to a tree
Girolamo Pedrignani
The sacrifice of Iphigenia
Arnold van Westerhout
1650–1700
An allegory of painting, who as an child in the centre left draws on a tablet, surrounded by figures, many of whom are drawing
Pietro Testa
1650–1700
The Academy of Painting (Il Liceo della Pittura), after Pietro Testa
Pietro Testa
ca. 1685–1700
Sinorix carried from the temple of Artemis trying to escape the effects of the poisoning
Pietro Testa
ca. 1640
Allegory of Winter
Pietro Testa
1644
Venus and Adonis, surrounded by many putti, reclining after the hunt, with a dead boar in the lower right
Pietro Testa
1631–37
An allegory in honor of the arrival of Cardinal Franciotti as Bishop of Lucca
Pietro Testa
1680–1700
Saint Sebastian being tied to a tree
Girolamo Pedrignani
1625–50
The suicide of the philosopher Cato, who lies on his bed pulling out his innards watched by horrified disciples
Pietro Testa
1648
The martyrdom of Saint Angelo who in the upper left is being stabbed watched by horrified onlookers, from the 'Cabinet Crozat'
Anne Claude Philippe de Tubières, comte de Caylus
1729–64
The Dream of St. Joseph, who is sleeping at the right, the Virgin and Child by a cross surrounded by angels and many putti and with God the Father above
Pietro Testa
ca. 1635–37
The Presentation of the Virgin in the Temple (recto); Another Design for the Same Composition (verso)
Pietro Testa
1612–50
Allegory of Summer
Pietro Testa
ca. 1642–44
Presentation of the Virgin
Georg Friedrich Schmidt
1771
The Departure of the Prodigal Son, Shown About to Mount a Horse
Pietro Testa
ca. 1645
Classical scene of figures gathered around an orator at right (possibly related to healing the lame)
Matthias Oesterreich
1752
The suicide of the philosopher Cato, who lies on his bed pulling out his innards watched by horrified disciples
Pietro Testa
1648
The Prophecy of Basilides
Giovanni Cesare Testa
ca. 1650
An allegory of Spring announced by the arrival of the sun, personfied by Apollo, in the sign of Gemini, after Testa
Georg Andreas Wolfgang
1650–1700
An allegory of painting
François Collignon
17th century
Two figures representing Sloth and Poverty
Anonymous, 18th century
1700–1800