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  • Objects with changed or unknown ownership in continental Europe between 1933-1945. Learn more
Showing 72 results
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Penitent Woman Anointing the Feet of Christ at the Table of Simon the Pharisee
Jacopo Palma the Younger
1548–1628
Venus and Cupid, Galerie du Palais Royal
Henri Marais
1786–1808
Head Studies of Women of Various Ages, from Principles of Drawing
Jacopo Palma the Younger
republished in 1659
John the Baptist in the Wilderness, from "Principles of Drawing"
Jacopo Palma the Younger
1611
Ecce Homo
Abraham Bloemaert
late 16th–mid-17th century
Figure Studies: The Arrest of Christ?, Christ and the Canaanite Woman, Seated Male Figures, and Head of a Child (recto); Studies of an Arm, and of the Heads of an Old Man and Young Woman (verso)
Jacopo Palma the Younger
1548–1628
Seated Bishop Holding a Book
Jacopo Palma the Younger
ca. 1600
Seated Doctor of the Church Reading (Saint Ambrose or Saint Gregory)
Jacopo Palma the Younger
1600
Madonna and Child with St. Jerome and St. Francis, from "Principles of Drawing"
Jacopo Palma the Younger
1611
Eleven Studies of Men's Legs, from Principles of Drawing
Jacopo Palma the Younger
republished in 1659
Cain Slaying Abel, from Theatrum Pictorium
Peeter van Lisebetten
1656–60
Doubting Thomas, from "Principles of Drawing"
Jacopo Palma the Younger
1611
Sheet of Studies with St. Jerome, from "Principles of Drawing"
Jacopo Palma the Younger
1611
Christ and the Woman Taken in Adultery, from Principles of Drawing
Jacopo Palma the Younger
1611
Allegory of Painting and Sculpture, from Principles of Drawing
Jacopo Palma the Younger
1611
Various Figure Groups
Jacopo Palma the Younger
1548–1628
Fame, from Principles of Drawing
Jacopo Palma the Younger
republished in 1659
The Crucifixion
Jacopo Palma the Younger
'Regole per Imparar a Disegnar i corpi humani ... Giacomo Palma' Libro Primo (title page and 7 plates), bound together with Libro Secondo (title page and 11 plates)
Jacopo Palma the Younger
1636 (republished 1659)
Studies of Men's Torsos, from Principles of Drawing
Jacopo Palma the Younger
republished in 1659
The Martyrdom of St. Stephan
Aegidius Sadeler II
1585–1627
Studies of Female Torsos and a Head, from Principles of Drawing
Jacopo Palma the Younger
republished in 1659
Il vero modo et ordine per dissegnar tutte le parti et membra del corpo humano
Odoardo Fialetti
1608
(XXI) Raccolta di Alcuni Disegni del Barberi da Cento detto il Guernico, incisi in Rame, e presentati al singolar merito del Sig. Tommaso Jenkins pittore, ed accademico di S. Luca, in atto di respetto e d'amicizia dall'architetto e suo coaccademio: Gio. Battista Piranesi (Collection of several drawings after Barbieri da Cento (known as Guercino) etched on copper and presented to Thomas Jenkins, painter and member of the Academy of St. Luke, out of respect and friendship from his fellow member, the architect Gio. Battista Piranesi); (XXII) Schola Italica Picturae
Giovanni Battista Piranesi
1764–73
St. Sebastian
Aegidius Sadeler II
1580–1612
Last Supper
Andrea Scacciati
1760s
The Martyrdom of Saint Sebastian
Aegidius Sadeler II
1586–1629
The Tutelary Goddess of the City of Rome, from Principles of Drawing
Jacopo Palma the Younger
republished in 1659
Christ on the Cross with Mary, St. John, and Mary Magdalen
Raphael Sadeler I
1580–1600
Madonna and Child with St. Jerome and St. Francis, from "Principles of Drawing"
Jacopo Palma the Younger
1611
Venus and Cupid, Galerie du Palais Royal
Henri Marais
1786–1808
Studies of Arms, from Principles of Drawing
Jacopo Palma the Younger
republished in 1659
The Nativity
Jacopo Palma the Younger
Venus Combing Her Hair, from Galerie du Palais Royal
Jacques Bouillard
ca. 1788
Studies of Arms, Shoulders and Hands
Giacomo Franco
1548–1628
Studies of Horsemen and Study of a Figure for a Deposition (recto); Sketch for an Entablature (verso)
Jacopo Palma the Younger
1548–1628
Eyes, Noses, Mouths, and Ears, from Principles of Drawing
Jacopo Palma the Younger
republished in 1659
Judith with the Head of Holofernes
Jacopo Palma the Younger
Laura, the Lady of Petrarch
Wenceslaus Hollar
1650
The Lamentation, from Theatrum Pictorium
Peeter van Lisebetten
1656–60