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  • As part of the Met's Open Access policy, you can freely copy, modify and distribute this image, even for commercial purposes.
    APIPublic domain data for this object can also be accessed using the Met's Open Access API
  • Objects with changed or unknown ownership in continental Europe between 1933-1945. Learn more
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Ecce Homo
Wenceslaus Hollar
1644–52
Six Hounds
Wenceslaus Hollar
1646
Ansbach and Coburg, View (a) of two views (a&b).
Wenceslaus Hollar
1627–36
Title-page to 'Varie Figuræ & Probæ'
Wenceslaus Hollar
1645
Charles I
Wenceslaus Hollar
1649
John Clenche (for Dugdale's "Origines Juridicales," 1666).
Wenceslaus Hollar
1664
An owl defending its three chicks from hawk
Wenceslaus Hollar
after 1665
Frances Stuart, Countess of Portland
Wenceslaus Hollar
1650
Hans Holbein
Wenceslaus Hollar
1647
Woman with lace and a bodkin in her hair
Wenceslaus Hollar
1636
Coblentz and Ehrenbreitstein [copy]
Abraham Aubri
after 1644
The scourging
Wenceslaus Hollar
1644–52
Genoa
Wenceslaus Hollar
ca. 1665
Island of Texel
Wenceslaus Hollar
1652–77
A Genealogical History of the Kings of England, and Monarchs of Great Britain, &c. From the Conquest, Anno 1066, to the Year 1677
Francis Sandford
1677
Portrait of a Young Woman
Wenceslaus Hollar
1647
Charles Louis, Elector Palatine
Wenceslaus Hollar
1646
Woman half left
Wenceslaus Hollar
1642
The Abbess, from the Dance of Death
Wenceslaus Hollar
[1651] late 18th century printing
September
Wenceslaus Hollar
1628–29
The Pedlar, from the Dance of Death
Wenceslaus Hollar
[1651] late 18th century printing
Dissected head and shoulder seen in profile to left
Wenceslaus Hollar
1651
Young woman with pigtails
Wenceslaus Hollar
1636
Dieppe Woman (Mulier Diepana)
Wenceslaus Hollar
1649
Monasticon Anglicanum, A History of the Abbies and Other Monasteries, Hospitals, Frieries, and Cathedral and Collegiate Churches, with their Dependencies, in England and Wales; also of all such Scotch, Irish and French Monasteries, as were in any Manner Connected with Religious Houses in England, Vol. I
Roger Dodsworth
1655
Arms of Brussels
Wenceslaus Hollar
1646
Dragonflies and a Bumblebee
Wenceslaus Hollar
1646
Three Pheasants in a Wooded Landscape
Wenceslaus Hollar
1654–58
Lady with hat with wide brim
Wenceslaus Hollar
1640
Tomb with a shrouded figure
Wenceslaus Hollar
1659
Wenceslaus Hollar self-portrait aged 40
Wenceslaus Hollar
1647
Roman Ruins, second version of title-page
Wenceslaus Hollar
ca. 1650
Rome's Depravity (from Robert Stapylton, Mores Hominum–The Manners of Men, Described in Sixteen Satyrs, by Juvenal, 1660)
Wenceslaus Hollar
1658
Standing female figure in loose classical robe, with arm outstretched
Wenceslaus Hollar
1645
Jacob Roelants
Wenceslaus Hollar
1648
Six Men and Women Beggars
Wenceslaus Hollar
1630
Prospect of Jerusalem
Wenceslaus Hollar
1660
Roman remains at Tivoli, from "Roman Ruins"
Wenceslaus Hollar
1673
The Vanity of Human Wishes (from Robert Stapylton, Mores Hominum–The Manners of Men, Described in Sixteen Satyrs, by Juvenal, 1660)
Wenceslaus Hollar
1660
Three herons; one, with its wings outstretched, snatches a frog from the river, while another takes off, and the third stands in the water in front of some bullrushes
Anonymous, British, 18th century
late 17th–early 18th century