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  • Objects with changed or unknown ownership in continental Europe between 1933-1945. Learn more
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Sibylla Almathea
Domenico Cunego
1797
The Allegro, from Milton
Domenico Cunego
1768
The Creation of Adam, Sistine Chapel, plate 2 from "Schola Italica Picturae"
Domenico Cunego
1772
Priam Redeems the Dead Body of Hector
Domenico Cunego
1775
Entombment of Christ
Domenico Cunego
1775
The head of Mary Magdalene looking down to the right, in an oval frame, after Reni
Domenico Cunego
ca. 1745–1803
Lot and his Daughters, plate 36 from "Schola Italica Picturae"
Domenico Cunego
1771
Orazione funebre in morte del Marchese Scipione Maffei detta nella cattedrale di Verona...Con l'aggiunta d'alcuni componimenti poetici d'autore veronese... (Verona 1755)
Marc'Antonio Pindemonte
1755
The Assumption of the Virgin, figures gathered around a tomb below and the Virgin with arms outstretched, surrounded by angels in the clouds above
Domenico Cunego
1779
The works in architecture of the late Robert and James Adam, Esqs., complete in three volumes, containing plans, elevations, sections, and detail of the principal buildings, public and private,
James Adam
1822
Sibylla Persica
Aloysio Cunego
1780
Ganymede riding on the back of Jupiter as an eagle
Domenico Cunego
1770
St. Margaret
Aloysio Cunego
late 18th century
The Penseroso, from Milton
Domenico Cunego
1768
The entombment of Christ
Domenico Cunego
1775
Two Nereids accompanied by cupids, one scatters pearls and other other holds a piece of coral
Domenico Cunego
1771
The Death of St. Cecelia, plate 32 from "Schola Italica Picturae"
Domenico Cunego
1772
Norandino and Lucina in a landscape with the ogre Orco feeling the fleece with which she has covered her back, plate 39 from "Schola Italica Picturae"
Domenico Cunego
1772
Sibylla Libyca
Domenico Cunego
late 18th century
St. Hieronymus, plate 35 from "Schola Italica Picturae"
Domenico Cunego
1769
St. Mary Magdalen, plate 34 from "Schola Italica Picturae"
Domenico Cunego
ca. 1770
Galatea, plate 31 from "Schola Italica Picturae"
Domenico Cunego
1772
Truth triumphing over time, a young, half-nude woman reaching upwards and an old, winged man holding a snake below
Domenico Cunego
1777
Portrait of a Lady, known as La Fornarina, plate 9 from "Schola Italica Picturae"
Domenico Cunego
1772
Orazione funebre in morte del Marchese Scipione Maffei detta nella cattedrale di Verona...Con l'aggiunta d'alcuni componimenti poetici d'autore veronese...
Marc'Antonio Pindemonte
1755
Ganymede abducted by Jupiter, plate 22 from "Schola Italica Picturae"
Domenico Cunego
1770
The Birth of St. John the Baptist, plate 28 from "Schola Italica Picturae"
Domenico Cunego
1769
An outline of the fresco paintings by Michelangelo on the ceiling of the Sistine Chapel, Rome
Domenico Cunego
ca. 1790–1800
Two Nereids on a Shore, plate 38 from "Schola Italica Picturae"
Domenico Cunego
1771
A Man and Woman Embracing, plate 20 from "Schola Italica Picturae"
Domenico Cunego
1773
Caput Incognitum
Domenico Cunego
1776
Trofeo o sia Magnifica Colonna Coclide di marmo composta di grossi macigni ove si veggono scolpite le due guerre daciche fatte, da Trajano inalzata nel mezzo del Gran Foro eretto al medesimo imperadore per ordine del senato e popolo romano doppo i suoi trionfi (The Trophy or Magnificent Spiral Column of marble composed of large drums on which are carved the two Dacian Wars of Trajan, raised in the middle of the large Forum, erected in honor of the same Emperor on the order of the Senate and People of Rome after his Triumph) (1775-6); Columna Antonina (1776-9)
Giovanni Battista Piranesi
1774–79
St. Mary Magdalen, plate 29 from "Schola Italica Picturae"
Domenico Cunego
1772
Juno
Domenico Cunego
1767
Lot flanked by his two daughters, one of them holding a decorated jug, after Reni
Domenico Cunego
1771
Moses
Domenico Cunego
1773
Portrait of Clarissa Strozzi, accompanied by a dog, plate 21 from "Schola Italica Picturae"
Domenico Cunego
1770
Sibylla Hellespontiaca
Domenico Cunego
late 18th century
Hebe Giving Drink to the Eagle of Jupiter
Domenico Cunego
after 1764
An old bearded man resting his head on his right hand and looking upwards to the left, after Reni
Domenico Cunego
1775