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  • Objects with changed or unknown ownership in continental Europe between 1933-1945. Learn more
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Two scenes set inside elaborate frames and sculpture work; at top a triumphal procession with three men at center carrying Goliath's severed head on a spike, David following behind, at bottom King Saul seated at center watching David walk away holding his sling; after the frescoes by Pietro da Cortona in the Palazzo del Pigneto, Rome
Girard Audran
1668
Study for the Age of Bronze
Pietro da Cortona (Pietro Berrettini)
1637
Apollo as a young man, naked and reclining holding a lyre, from "Heroicae Virtutis Imagines" after the frescoes by Pietro da Cortona in the Sala di Giove of the Palazzo Pitti, Florence
Cornelis Bloemaert
ca. 1677
Mark Anthony leading Cleopatra to the throne
Andrea Scacciati
ca. 1745–71
Sisygambis kneeling before Alexander the Great, surrounded by female attendants and soldiers, from "Heroicae Virtutis Imagines" after the frescoes by Pietro da Cortona in the Sala di Venere of the Palazzo Pitti, Florence
Conrad Lauwers
ca. 1677
Castor and Pollux holding the reins of two horses, from "Heroicae Virtutis Imagines" after the frescoes by Pietro da Cortona in the Sala di Giove of the Palazzo Pitti, Florence
Jacques Blondeau
ca. 1677
Saint Sebastian tied to a tree with an arrow in his arm, two women at left tending to him
Jakob Matthias Schmutzer
1754
Presentation of a young king to a group of elders, after Pietro da Cortona
Pietro da Cortona (Pietro Berrettini)
ca. 1690–1740
Seventy-Five Portraits of Celebrated Painters, From Authentic Originals
John Girtin
1817
Selene in a carriage, pointing at the constellations of Scorpio and Libra, with Flora presenting her with a bulb to the left and Night flying below; from Giovanni Battista Ferrari's "De Florum Cultura Libri IV"
Renato Guerineau
ca. 1633
Dedication plate to Rossi's series of engravings of the Sala di Marte, with the Medici balls held up by putti at center, from "Heroicae Virtutis Imagines" after the frescoes by Pietro da Cortona in the Palazzo Pitti, Florence
Pietro da Cortona (Pietro Berrettini)
ca. 1677
Sacrifice of Polyxena, after Pietro da Cortona
Pietro Aquila
ca. 1674–92
Hagar, followed by an angel, returns to Abraham and Sarah; after Pietro da Cortona
Pietro da Cortona (Pietro Berrettini)
ca. 1690–1740
The Works of Jonathan Richardson, Containing I: The Theory of Painting. II: Essay on the Art of Criticism, (So far as it relates to Painting). III: The Science of a Connoisseur
Jonathan Richardson Sr.
1792
Allegory with symbols of Temperance, with a unicorn and Publius Scipio Africanus; after Pietro da Cortona's frescoes on the ceiling of the salone of Palazzo Barberini
Pietro da Cortona (Pietro Berrettini)
ca. 1677
Minerva battling the giants, plate 4 from "Barberinae aulae fornix", after the frescoes by Pietro da Cortona on the ceiling of the salone of the Palazzo Barberini, Rome
Pietro da Cortona (Pietro Berrettini)
ca. 1677
Aeneas and his son Ascanius before King Latinus, Aeneas extending an olive branch to the King, plate 13 from "Galleria Dipinta nel Palazzo del Prencipe Panfilio" after the ceiling frescoes by Pietro da Cortona depicting the history of Aeneas in the Palazzo Pamphili, Rome
Carlo Cesi
ca. 1661
King Masinissa seated at left pointing toward Sophonisba at far right, in the foreground is a figure seen from behind, carrying a vase, from "Heroicae Virtutis Imagines", after the frescoes by Pietro da Cortona in the Sala di Venere of the Palazzo Pitti, Florence
Jean Gerardin
ca. 1677
Allegorical representation of papal authority flanked by Prudence on the left and Glory on the right; to the far left are Vulcan and a Cyclops, plate 3 from "Barberinae aulae fornix", after the frescoes by Pietro da Cortona on the ceiling of the salone of the Palazzo Barberini, Rome
Pietro da Cortona (Pietro Berrettini)
ca. 1677
Reduced copy in reverse of the Battle of Aeneas and Turnus; plate 14 from "Galleria Dipinta nel Palazzo del Prencipe Panfilio", after the ceiling frescoes by Pietro da Cortona depicting the history of Aeneas in the Palazzo Pamphili, Rome
Carlo Cesi
ca. 1661–80
Scipio Africanus seated on a throne, pointing toward a young woman kneeling at left, two men and a female attendant in the background, from "Heroicae Virtutis Imagines" after the frescoes by Pietro da Cortona in the Sala di Venere of the Palazzo Pitti, Florence
Cornelis Bloemaert
ca. 1677
Adoration of the shepherds, with Virgin and child at center surrounded by the shepherds with putti above in clouds holding a banderole
Cornelis Bloemaert
ca. 1620–92
Three standing figures
Matthias Oesterreich
ca. 1752
Selene in a carriage, pointing at the constellations of Scorpio and Libra, with Flora presenting her with a bulb to the left and Night flying below, from "De Florum Cultura Libri IV"
Renato Guerineau
ca. 1633
King Cyrus sitting on a throne at left, while Panthea is presented to him by two solders at right, from "Heroicae Virtutis Imagines" after the frescoes by Pietro da Cortona in the Sala di Venere of the Palazzo Pitti, Florence
François Spierre
ca. 1677
Composition with stucco ornaments and a medallion with youths shooting a bird, plate 15 from "Galleria Dipinta nel Palazzo del Prencipe Panfilio" after the ceiling frescoes by Pietro da Cortona depicting the history of Aeneas in the Palazzo Pamphili, Rome
Carlo Cesi
ca. 1661
Plate 6: Allegory with symbols of Justice, with the griffon of Manlius Torquatus; after Pietro da Cortona's frescoes on the ceiling of the salone of Palazzo Barberini
Pietro da Cortona (Pietro Berrettini)
ca. 1642
Composition with a large vase of flowers framed by two male nudes at left, to the right two putti play with a hare, all framed by grotesque friezes and architectural elements, plate 1 from "David trionfante di Golia e de' filistei", after the frescoes by Pietro da Cortona in the Palazzo del Pigneto, Rome
Filippo Carrocci
ca. 1660–70
David slaying Goliath; David stands over the defeated Goliath with his sword raised above his head; another battle is taking place in the background on the right
Pietro da Cortona (Pietro Berrettini)
ca. 1690–1740
Birth of the Virgin, in the foreground with three female attendants, and Saint Anne resting with two attendants in the background at the left; an arched window at the right reveals a distant landscape
Carlo Faucci
1768
Antiochus in bed at right while his doctor Erasistratur checks his pulse, Stratonice and Seleucus look on from the left, from "Heroicae Virtutis Imagines", after the frescoes by Pietro da Cortona in the Sala di Venere of the Palazzo Pitti, Florence
Lambert de Visscher
ca. 1677
Erminia and the Shepherds
Pietro da Cortona (Pietro Berrettini)
ca. 1781
Bellerophon dressed in armour riding Pegasus, from "Heroicae Virtutis Imagines" after the frescoes by Pietro da Cortona in the Sala di Giove of the Palazzo Pitti, Florence
Charles Delahaye
ca. 1677
Scipio Africanus seated on a throne, pointing toward a young woman kneeling at left, two men and a female attendant in the background; from 'Heroicae Virtutis Imagines' after the frescoes by Pietro da Cortona in the Sala di Venere of the Palazzo Pitti, Florence
Cornelis Bloemaert
ca. 1677
Anthony kneeling in prayer in the right foreground of a landscape, the Virgin appearing as the Mother of Mercy on the left, and three putti look down from clouds at the upper right; heraldic coat-of-arms at bottom center inside a circle
Sir Nicolas Dorigny
ca. 1675–1746
Composition with stucco ornaments surrounding an oval scene depicting Aeneas with a lance and doves, plate 2 from "Galleria Dipinta nel Palazzo del Prencipe Panfilio" after the ceiling frescoes by Pietro da Cortona depicting the history of Aeneas in the Palazzo Pamphili, Rome
Carlo Cesi
ca. 1661
Design for the Coat of Arms of a Cardinal with three Angels
Pietro da Cortona (Pietro Berrettini)
ca. 1640–60
Musick
Robert Samuel Marcuard
1777
The genius of poetry crowns a child with laurels
Cornelis Bloemaert
ca. 1633–84
The Shepherd's Offering
Carlo Faucci
1768