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Showing 209 results
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Faith, Hope, and Charity
Dominique Barrière
1630?–78
Allegorical representation of papal authority flanked by Prudence on the left and Glory on the right; to the far left are Vulcan and a Cyclops, plate 3 from "Barberinae aulae fornix", after the frescoes by Pietro da Cortona on the ceiling of the salone of the Palazzo Barberini, Rome
Pietro da Cortona (Pietro Berrettini)
ca. 1677
Minerva battling the giants, plate 4 from "Barberinae aulae fornix", after the frescoes by Pietro da Cortona on the ceiling of the salone of the Palazzo Barberini, Rome
Pietro da Cortona (Pietro Berrettini)
ca. 1677
Design with an Eagle Fighting with a Serpent and a Putto in the Sky Holding an Inscribed Banner.
Pietro da Cortona (Pietro Berrettini)
17th century
Plate 6: Allegory with symbols of Justice, with the griffon of Manlius Torquatus; after Pietro da Cortona's frescoes on the ceiling of the salone of Palazzo Barberini
Pietro da Cortona (Pietro Berrettini)
ca. 1642
Composition with a large vase of flowers framed by two male nudes at left, to the right two putti wrestle over a hare as a third watches, all framed by grotesque friezes and architectural elements, plate 4 from "David trionfante di Golia e de' filistei", after the frescoes by Pietro da Cortona in the Palazzo del Pigneto, Rome
Filippo Carrocci
ca. 1660–70
Composition with stucco ornaments surrounding an oval scene depicting Aeneas with a lance and doves, plate 2 from "Galleria Dipinta nel Palazzo del Prencipe Panfilio" after the ceiling frescoes by Pietro da Cortona depicting the history of Aeneas in the Palazzo Pamphili, Rome
Carlo Cesi
ca. 1661
King Cyrus sitting on a throne at left, while Panthea is presented to him by two solders at right, from "Heroicae Virtutis Imagines" after the frescoes by Pietro da Cortona in the Sala di Venere of the Palazzo Pitti, Florence
François Spierre
ca. 1677
Juno requesting the aid of Aeolus to destroy the fleet of Aeneas, plate 6 from "Galleria Dipinta nel Palazzo del Prencipe Panfilio" after the ceiling frescoes by Pietro da Cortona depicting the history of Aeneas in the Palazzo Pamphili, Rome
Carlo Cesi
ca. 1661
Hercules expelling the Harpies, after Pietro da Cortona
Cornelis Bloemaert
1642
Cesi's dedication of the series to Prince Camillo Pamphili, plate 16 from "Galleria Dipinta nel Palazzo del Prencipe Panfilio" after the ceiling frescoes by Pietro da Cortona depicting the history of Aeneas in the Palazzo Pamphili, Rome
Carlo Cesi
ca. 1661
The genius of poetry crowns a child with laurels
Cornelis Bloemaert
ca. 1633–84
The Triumph of Nature Over Art (design for an engraving of 'De Florum Cultura')
Pietro da Cortona (Pietro Berrettini)
ca. 1633
Composition with a large vase of flowers framed by two male nudes at left, to the right two putti play with a hare, all framed by grotesque friezes and architectural elements, plate 1 from "David trionfante di Golia e de' filistei", after the frescoes by Pietro da Cortona in the Palazzo del Pigneto, Rome
Filippo Carrocci
ca. 1660–70
The sacrifice to Diana; men gathering with their spoils from the hunt to offer to the goddess; after Pietro da Cortona
Pietro Aquila
1670–92
Saint Martina kneeling before the Virgin and Child, as the Child offers her a lily
François Spierre
ca. 1664–79
Sea Battle
Pietro da Cortona (Pietro Berrettini)
1596–1669
Composition with stucco ornaments, Castor and Pollux, and Cybele and Ceres, from "Galleria Dipinta nel Palazzo del Prencipe Panfilio" after the ceiling frescoes by Pietro da Cortona depicting the history of Aeneas in the Palazzo Pamphili, Rome
Carlo Cesi
ca. 1661
Minerva depicted at top with a shield and arrow vanquishing the Giants below, from Barberinae aulae fornix
Anonymous, Italian, 17th century
ca. 1677
Offering to Ceres: Seventy-three prints engraved by F. Bartolozzi &c. from the Original Pictures and Drawings of Michaelangelo, Domenichino, Annibal, Lodovico, and Agostino Carraci, Guercino, P. da Cortona, Carlo Maratti, Elisabetta Sirani, Pellegrino Tibaldi, Franceschino &c. in the collection of His Majesty, &c., vol. II
Giuseppe Zocchi
1793–98
Seventy-Five Portraits of Celebrated Painters, From Authentic Originals
John Girtin
1817
Sisygambis kneeling before Alexander the Great, surrounded by female attendants and soldiers, from "Heroicae Virtutis Imagines" after the frescoes by Pietro da Cortona in the Sala di Venere of the Palazzo Pitti, Florence
Conrad Lauwers
ca. 1677
Study for the Age of Bronze
Pietro da Cortona (Pietro Berrettini)
1637
Composition with stucco ornaments from "Heroicae Virtutis Imagines", after the frescoes by Pietro da Cortona in the Sala di Venere of the Palazzo Pitti, Florence
Barend de Bailliu
ca. 1677
Tabulae anatomicae ex archetypis egregii pictoris Petri Berettini Cortonensis expressae et in aes incisae...
Pietro da Cortona (Pietro Berrettini)
1788
Laban Seeking His Idols: Seventy-three prints engraved by F. Bartolozzi &c. from the Original Pictures and Drawings of Michaelangelo, Domenichino, Annibal, Lodovico, and Agostino Carraci, Guercino, P. da Cortona, Carlo Maratti, Elisabetta Sirani, Pellegrino Tibaldi, Franceschino &c. in the collection of His Majesty, &c., vol. II
Francesco Bartolozzi
1793–98
Marriage of the Virgin; Mary and Joseph stand at the top of the stairs in the center of the print, with their hands joined by the priest; numerous attendants appear at the left and right along the staircase; cupids and an angel float above amongst clouds
Pietro da Cortona (Pietro Berrettini)
ca. 1690–1740
Saint Sebastian tied to a tree with an arrow in his arm, two women at left tending to him
Jakob Matthias Schmutzer
1754
Cybele standing before Jupiter; from Giovanni Battista Ferrari's "De Florum Cultura Libri IV"
Johann Friedrich Greuter
ca. 1646
The Shepherd's Offering
Carlo Faucci
1768
Portraits of Celebrated Painters with Medallions from Their Best Performances
John M. Corner
1825
Martyrdom of St. Stephen, after Pietro da Cortona
F. de Louvement
ca. 1668–90
Eighty-two prints engraved by F. Bartolozzi, etc., from the original drawings of Guercino in the collection of His Majesty, vol. I / Seventy-three prints engraved by F. Bartolozzi &c. from the Original Pictures and Drawings of Michaelangelo, Domenichino, Annibal, Lodovico, and Agostino Carraci, Guercino, P. da Cortona, Carlo Maratti, Elisabetta Sirani, Pellegrino Tibaldi, Franceschino &c. in the collection of His Majesty, &c., vol. II
Francesco Bartolozzi
1792–98
Composition with stucco ornaments of a woman on the left and a man holding a club on the right, plate 12 from "Galleria Dipinta nel Palazzo del Prencipe Panfilio" after the ceiling frescoes by Pietro da Cortona depicting the history of Aeneas in the Palazzo Pamphili, Rome
Carlo Cesi
ca. 1661
A kneeling priestess in the center with female attendants presenting offerings, she looks to the left at King Antiochus and three other male figures; a statue of Diana appears in the background; after Pietro da Cortona's lunette in the Sala di Venere in the Palazzo Pitti, Florence
Pietro da Cortona (Pietro Berrettini)
ca. 1616–1669
Reduced copy in reverse of the arrival of Aeneas and his fleet in Italy; plate 3 from "Galleria Dipinta nel Palazzo del Prencipe Panfilio", after the ceiling frescoes by Pietro da Cortona depicting the history of Aeneas in the Palazzo Pamphili, Rome
Carlo Cesi
ca. 1661–80
Vulcan seated at center, his head resting on his arm, with two cyclopes at far left, from "Heroicae Virtutis Imagines" after the frescoes by Pietro da Cortona in the Sala di Giove of the Palazzo Pitti, Florence
Cornelis Bloemaert
ca. 1677
Hagar, followed by an angel, returns to Abraham and Sarah; after Pietro da Cortona
Pietro da Cortona (Pietro Berrettini)
ca. 1690–1740
Justice seated at center holding fasces, criminals wait to meet her at right, to her left a woman probably representing Abundance distributes coins to people below, from "Heroicae Virtutis Imagines" after the frescoes by Pietro da Cortona in the Sala di Marte of the Palazzo Pitti, Florence
Jacques Blondeau
ca. 1677
Dedication plate to Rossi's series of engravings of the Sala di Marte, with the Medici balls held up by putti at center, from "Heroicae Virtutis Imagines" after the frescoes by Pietro da Cortona in the Palazzo Pitti, Florence
Pietro da Cortona (Pietro Berrettini)
ca. 1677