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Head of a Village Girl

Antoine Joseph Dézallier d'Argenville

1700–65

The Fortune Teller (Bohemiene disant la bonne avanture)

Benoît Audran II

ca. 1729

The Entombment
Tommaso Piroli
1772–1824

Pietro Antonio Leone Bettelini

1772

(XXI) Raccolta di Alcuni Disegni del Barberi da Cento detto il Guernico, incisi in Rame, e presentati al singolar merito del Sig. Tommaso Jenkins pittore, ed accademico di S. Luca, in atto di respetto e d'amicizia dall'architetto e suo coaccademio: Gio. Battista Piranesi (Collection of several drawings after Barbieri da Cento (known as Guercino) etched on copper and presented to Thomas Jenkins, painter and member of the Academy of St. Luke, out of respect and friendship from his fellow member, the architect Gio. Battista Piranesi); (XXII) Schola Italica Picturae

Giovanni Battista Piranesi

1764–73

The Incredulity of Saint Thomas

Anonymous, Italian, 17th century

1640–60

Christ at Emmaus

Pierre Fatoure

1609–1629

Cardsharps, plate 40 from "Schola Italica Picturae"

Giovanni Volpato

1772

Plate 24: Jacob seeing Rachel at the well, from "Recueil d'estampes d'après les tableaux des peintres les plus célèbres d'Italie, des Pays-Bas et de France"

Jacobus Coelemans

1705

Sleeping Cupid, with his head resting on his quiver and his bow in his right hand

Anonymous

18th century

Plate 25: Laban giving his daughter Rachel to Jacob, from "Recueil d'estampes d'après les tableaux des peintres les plus célèbres d'Italie, des Pays-Bas et de France"

Jacobus Coelemans

1704

Saint Jerome in the Wilderness

Anonymous, Italian, Bolognese

ca. 1630

Sleeping Cupid, with his head resting on his quiver and his bow in his right hand

Theodor Verkruis

ca. 1729

The Musicians
Caravaggio (Michelangelo Merisi)
1597

The Fortune Teller

Giuseppe Sforza Perini

ca. 1790

Portrait of Caravaggio, turned to the right and looking at his reflection in a mirror
Henri Simon Thomassin
1707–41

The Martyrdom of Saint Ursula
Caravaggio (Michelangelo Merisi)
1610

The Holy Family and John the Baptist

Pierre Daret

1624–75

The Virgin of the Rosary, the Virgin and Child standing between three saints, one of whom holds a rosary, with five members of the laity kneeling in the foreground and a donor at right

Lucas Vorsterman I

ca. 1620–40

Saint Francis, kneeling in front of a crucifix and a skull

Pieter Soutman

1620–57

Jonas Suyderhoef

1633–86

The Incredulity of Saint Thomas

Anonymous, Italian, 17th century

1640–60

The Incredulity of Saint Thomas, Christ at left touching the stigmata and taking Saint Thomas' hand, six other disciples behind them

John Murphy

1782–83

Entombment, after Caravaggio, plate 25 from "Raccolta di Alcuni Disegni del Barberi da Cento detto il Guernico, incisi in Rame, e presentati al singolar merito del Sig. Tommaso Jenkins pittore, ed accademico di S. Luca, in atto di respetto e d'amicizia dall'architetto e suo coaccademio: Gio. Battista Piranesi" (Collection of several drawings after Barbieri da Cento (known as Guercino) etched on copper and presented to Thomas Jenkins, painter and member of the Academy of St. Luke, out of respect and friendship from his fellow member, the architect Gio. Battista Piranesi)

Tommaso Piroli

1764

The Death of Saint Francis

Anonymous

1743–97

Denial of Saint Peter

Caravaggio (Michelangelo Merisi)

1603

Johann Friedrich Bause

1772

David with the Head of Goliath

Wallerant Vaillant

1635–77

The Denial of Saint Peter
Caravaggio (Michelangelo Merisi)
1610

Jonas Suyderhoef

1668–86

Portrait of Caravaggio, turned to the right and looking at his reflection in a mirror
Henri Simon Thomassin
1707–41

The Entombment of Christ
Ignazio Bonajuti
1817

Tommaso Piroli

1770–73

Anonymous

1630–86

Pierre François Basan

ca. 1754

Anonymous

18th century?

Study after Caravaggio's 'The Cardsharps' with color notes
Anonymous, Italian
1600–1700

Roman soldiers gathered around a sarcophagus, playing cards and dice

Franz Hanfstängl

ca. 1835–40

The Virgin of Loreto

Lucas Vorsterman I

1622–28

Giovanni Volpato

1772