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  • As part of the Met's Open Access policy, you can freely copy, modify and distribute this image, even for commercial purposes.
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  • Objects with changed or unknown ownership in continental Europe between 1933-1945. Learn more
Showing 43 results
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Roman soldiers gathered around a sarcophagus, playing cards and dice
Franz Hanfstängl
ca. 1835–40
The Martyrdom of Saint Ursula
Caravaggio (Michelangelo Merisi)
1610
Portrait of Alof de Wignacourt, Grand Master of the Order of Malta, and his Page
Nicolas de Larmessin III
ca. 1729
Christ at Emmaus
Pierre Fatoure
1609–1629
The Entombment of Christ
Ignazio Bonajuti
1817
The Cardsharps
Giovanni Volpato
1772
Denial of Saint Peter
Caravaggio (Michelangelo Merisi)
1603
Head of a Village Girl
Antoine Joseph Dézallier d'Argenville
1700–65
Study after Caravaggio's 'The Cardsharps' with color notes
Anonymous, Italian
1600–1700
Portrait of Caravaggio, turned to the right and looking at his reflection in a mirror
Henri Simon Thomassin
1707–41
The Death of the Virgin
Simon de la Vallée
ca. 1729
The Entombment
Anonymous
1630–86
The Entombment
Jonas Suyderhoef
1668–86
Saint Jerome in the Wilderness
Anonymous, Italian, Bolognese
ca. 1630
The Denial of Saint Peter
Caravaggio (Michelangelo Merisi)
1610
Plate 25: Laban giving his daughter Rachel to Jacob, from "Recueil d'estampes d'après les tableaux des peintres les plus célèbres d'Italie, des Pays-Bas et de France"
Jacobus Coelemans
1704
Three Apostles
Johann Friedrich Bause
1772
The Incredulity of Saint Thomas
Anonymous, Italian, 17th century
1640–60
Plate 7: A Concert: three musicians, a man at left playing the guitar, a man at center singing and holding a glass, and a man at right playing the flute
Thomas Chambars
1764
Sleeping Cupid, with his head resting on his quiver and his bow in his right hand
Anonymous
18th century
The Entombment
Jonas Suyderhoef
1633–86
The Musicians
Anonymous
18th century?
The Fortune Teller
Giuseppe Sforza Perini
ca. 1790
The Virgin of the Rosary, the Virgin and Child standing between three saints, one of whom holds a rosary, with five members of the laity kneeling in the foreground and a donor at right
Lucas Vorsterman I
ca. 1620–40
David with the Head of Goliath
Wallerant Vaillant
1635–77
(XXI) Raccolta di Alcuni Disegni del Barberi da Cento detto il Guernico, incisi in Rame, e presentati al singolar merito del Sig. Tommaso Jenkins pittore, ed accademico di S. Luca, in atto di respetto e d'amicizia dall'architetto e suo coaccademio: Gio. Battista Piranesi (Collection of several drawings after Barbieri da Cento (known as Guercino) etched on copper and presented to Thomas Jenkins, painter and member of the Academy of St. Luke, out of respect and friendship from his fellow member, the architect Gio. Battista Piranesi); (XXII) Schola Italica Picturae
Giovanni Battista Piranesi
1764–73
Ecce Homo
Pierre François Basan
ca. 1754
The Virgin of Loreto
Lucas Vorsterman I
1622–28
The Holy Family and John the Baptist
Pierre Daret
1624–75
Sleeping Cupid, with his head resting on his quiver and his bow in his right hand
Theodor Verkruis
ca. 1729
Plate 24: Jacob seeing Rachel at the well, from "Recueil d'estampes d'après les tableaux des peintres les plus célèbres d'Italie, des Pays-Bas et de France"
Jacobus Coelemans
1705
The Entombment
Tommaso Piroli
1772–1824
The Musicians
Caravaggio (Michelangelo Merisi)
1597
The Entombment
Tommaso Piroli
1770–73
The Death of Saint Francis
Anonymous
1743–97
Cardsharps, plate 40 from "Schola Italica Picturae"
Giovanni Volpato
1772
The Incredulity of Saint Thomas
Anonymous, Italian, 17th century
1640–60
Saint Francis, kneeling in front of a crucifix and a skull
Pieter Soutman
1620–57
The Fortune Teller (Bohemiene disant la bonne avanture)
Benoît Audran II
ca. 1729
Portrait of Caravaggio, turned to the right and looking at his reflection in a mirror
Henri Simon Thomassin
1707–41