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  • Objects with changed or unknown ownership in continental Europe between 1933-1945. Learn more
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The Adoration of the Shepherds
Cornelis Cort
1569
Perseus in the Garden of the Hesperides
Cherubino Alberti (Zaccaria Mattia)
1628
Three sleeping figures in a rocky landscape, a town in the background, after Polidoro da Caravaggio
Stefano Mulinari
ca. 1760–90
Numa Pompilius giving laws to the Romans, after Polidoro da Caravaggio
Stefano Mulinari
ca. 1760–90
The soldiers of Cyrus attacking the army of Spargabise; man wearing a helmet and raising a sword at right, after Polidoro da Caravaggio
Giovanni Battista Galestruzzi
1640–60
Armorial Trophy
Polidoro da Caravaggio
1600–1800
Frieze with armor, a prisoner, and two figures in turbans
Odoardo Fialetti
1590–1627
The taking of the Golden Apples, from Perseus and the Golden Apples
Cherubino Alberti (Zaccaria Mattia)
1570–1615
Frieze with Male Figures and Two Horses
Polidoro da Caravaggio
mid-16th century
Fresco from the facade of Palazzo Milesi in Rome
Polidoro da Caravaggio
17th century (third quarter)
The Triumph of Two Roman Emperors (left-hand side) with a Roman Emperor riding in a triumphal chariot
Cherubino Alberti (Zaccaria Mattia)
1570–1615
Trophy with Two Vases
Polidoro da Caravaggio
1600–1800
Plate 2: various figures carrying out tasks that include tying a sack and loading a horse
Pietro Santi Bartoli
ca. 1660–90
Plate 8: Vase or Ewer Decorated with a Satyr Figure, Behind Two Cornucopias, and Two Winged Victory Figures, from Antique Vases (‘Vasa a Polydoro Caravagino’)
Aegidius Sadeler II
1605
Two Roman Soldiers
Giovanni Francesco Venturini
17th century
Plate 9: Vase or Ewer with a Serpent Handle and Two Putti holding up a Garland, from Antique Vases (‘Vasa a Polydoro Caravagino’)
Aegidius Sadeler II
1605
A Sacrifice
Giovanni Francesco Venturini
17th century
The Sabine women and children walking to the left after being freed, at right a man on horseback leans down to embrace another man, after Polidoro da Caravaggio
Cherubino Alberti (Zaccaria Mattia)
1570–1615
Divers Trophées (Weapon Trophies after the Façade of Palazzo Milesi in Rome)
Polidoro da Caravaggio
1651
Moses striking the Rock
Michele Lucchese
mid-16th century
Roman Scene
Polidoro da Caravaggio
1499–1543
Suppliants taking gifts to Niobe, crowned figure standing at center, sheet four from a series of five depicting the lost Niobid Frieze from the Palazzo Milesi
Anonymous
after 1656
Suppliants Taking Gifts to Niobe, from a series of five prints depicting the lost frieze at the Palazzo Milesi
Giovanni Battista Galestruzzi
1656
The marriage of Meleager and Atalanta; three decorated pedastals holding fires, a group of men and women surrounding them, after Polidoro da Caravaggio
Camillo Tinti
1772
Vase with Two Winged Figures Draping a Term
René Boyvin
17th century (late)
Male and female figures standing in front of a cityscape with elephants in the background at right, from prints depicting the facade of the Palazzo Milesi
Giovanni Francesco Venturini
1650–1700
The Slaughter of Niobe's Children, from a series of five prints depicting the lost frieze at the Palazzo Milesi
Giovanni Battista Galestruzzi
1656
Cloelia on horseback crossing the Tiber
Giulio Bonasone
ca. 1540–60
Rape of the Sabines
Polidoro da Caravaggio
1499–1543
Plate 3: Vase with a satyr's mask and garlands, from Antique Vases (Vasa a Polydoro Caravagino)
Aegidius Sadeler II
1605
Numa Pompilius giving laws to the Romans, after Polidoro da Caravaggio
Stefano Mulinari
ca. 1760–90
Frieze of Trophies
Polidoro da Caravaggio
n.d.
The Adoration of the Shepherds
Cornelis Cort
1569
The Adoration of the Shepherds
Cornelis Cort
1569
Two Armorial Trophies marked by a large bundle containing a cuirass and four shields on the right, plate 8 from "Libro de' Trofei"
Anonymous, Italian
1550–53
(XXI) Raccolta di Alcuni Disegni del Barberi da Cento detto il Guernico, incisi in Rame, e presentati al singolar merito del Sig. Tommaso Jenkins pittore, ed accademico di S. Luca, in atto di respetto e d'amicizia dall'architetto e suo coaccademio: Gio. Battista Piranesi (Collection of several drawings after Barbieri da Cento (known as Guercino) etched on copper and presented to Thomas Jenkins, painter and member of the Academy of St. Luke, out of respect and friendship from his fellow member, the architect Gio. Battista Piranesi); (XXII) Schola Italica Picturae
Giovanni Battista Piranesi
1764–73
Plate 10: Lidded Vase With a Handle in the Shape of a Griffin and A Frieze With Draped Dancing Figures, from Antique Vases (Vasa a Polydoro Caravagino’)
Aegidius Sadeler II
1605
Plate 1: trophies of Roman arms from decorations above the windows on the second floor of the Palazzo Milesi in Rome
Giovanni Battista Galestruzzi
1656–58
Frieze with a woman seated before an old crouching man, surrounded by vases
Odoardo Fialetti
1590–1627
The Wounded Scipio; Scipio at center being taken off the battlefield by his son after being wounded in combat with Hannibal, after Polidoro da Caravaggio
Johann Gottlieb Prestel
ca. 1760–1808