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Nazi-era provenance
Objects with changed or unknown ownership in continental Europe between 1933-1945. Learn more

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Anonymous

1850–60

Brewster & Co., New York, Automobile Storage: Warerooms 670 Fifth Ave.

Anonymous

May 1, 1916

America's food pledge
Anonymous
ca. 1917

Trophies of Marius, from "Speculum Romanae Magnificentiae"
Anonymous
late 16th century

Counter-copy of Portrait of Ulrich Schwaiger (?)

Anonymous

Henri Fantin-Latour, calling card
Anonymous
ca. 1854–1904

Fireworks display celebrating the end of the Thirty Years War, Nuremberg
Anonymous
ca. 1650

Copy of Découverte des Malfaiteurs (The Discovery of the Criminals), from Les Misères et les Mal-Heures de la Guerre (The Miseries and Misfortunes of War), plate 9

Anonymous

after 1633

Reverse Copy of Frontispiece, from Les Gueux suite appelée aussi Les Mendiants, Les Baroni, ou Les Barons (The Beggars, also called the Barons)
Anonymous
17th century

Reverse Copy of La Place du Dome, a Florence (The Piazza del Duomo, in Florence), from "Les Caprices" Series A, The Florence Set
Anonymous
17th century

Anonymous

1850–60

Designs for furniture in a variation on the style of Thomas Sheraton, a breakfront, a sideboard, and a low cupboard
Anonymous
1810–20

Wilton album, folio 68: The Holy family, the Christ child reaching over the Virgin Mary's left shoulder, Joseph reading at right, young Saint John the Baptist at right kissing Mary's hand, a vase at top left

Anonymous

ca. 1600–42

Wilton album, folio 32a: Design for an overdoor with allegorical figures of Abundance, a river god and two crowned figures

Anonymous

1580–1650

The Second Meeting Between Ahab and Elijah, plate 3 from "The Story of Elijah"

Anonymous

1585

Copy of La Halte des Bohémiens: Les Diseuses de Bonne Aventure (The Gypsy Stopover: The Fortune Tellers), from Le Bohémiens, série appelée aussi Les Égyptiens, La Marche des Bohémiens, La Vie Errante des Bohémiens, Les Marches Égyptiennes (The Gypsies, series also called The Egyptians, The Gypsy Troops, The Wandering Lives of Gypsies, The Egyptian Troops)
Anonymous
17th century

Jacques Villon, calling card
Anonymous
ca. 1906–63

Valentine
Anonymous
ca. 1880

Calligraphic Exercise in French
Anonymous
early 17th century

Anonymous

1850–60

Cobweb Valentine

Anonymous

1810–30

Anonymous

1830–40

Knife, fork, spoon, and corkscrew in a case (Étui de couvert)
Anonymous
late 17th or 18th century

Anonymous

mid 19th century

Advertisement for profile likenesses by Moses Chapman
Anonymous
1803–21

Copy of Le Porte-Étendard (The Standard Bearer), from "Les Caprices"
Anonymous
17th century

The Vatican Obelisk, from "Speculum Romanae Magnificentiae"
Anonymous
16th century

Design of the catafalque for the exequies of the Marchesa di Villena in San Giacomo degli Spagnoli, Rome; from 'Libro De Catafalchi, Tabernacoli, con varij designi di Porte fenestre et altri ornamenti di Architettura'
Anonymous
1604

Copy of Le Gentilhomme a la Grande Canne (The Gentleman with the Large Cane), from "Les Caprices"
Anonymous
17th century

The Pediment Base of Trajan's Column, from "Speculum Romanae Magnificentiae"
Anonymous
16th century

Anonymous

ca. 1850

Anonymous

1850–60

Reverse Copy of Le Gentilhomme au Manteau Bordé de Fourrures Tentant ses Mains Derrière le Dos (The Gentleman with a Fur Lined Coat Holding his Hands Behind his Back), from La Noblesse (The Nobility)
Anonymous
17th century

The Egyptian Obelisk of Augustus, from "Speculum Romanae Magnificentiae"
Anonymous
1589

Henri de Toulouse-Lautrec, calling card envelope
Anonymous
ca. 1884–1901

The Prodigal Son Guarding Pigs
Anonymous
ca. 1636

Reverse Copy of Le Patre et les Ruines (The Shepherd and the Ruins), from "Les Caprices" Series A, The Florence Set
Anonymous
17th century

Copy of Le Gentilhomme au Manetau Bordé de Fourrures Tenant ses Mains Derrière le Dos (The Gentleman with a Fur-Lined Mantle Holding his Hands Behind his Back), from La Noblesse (The Nobility)
Anonymous
17th century

Valentine in honor of Halley's Comet

Anonymous

ca. 1865

The Pantheon, from "Speculum Romanae Magnificentiae"
Anonymous
16th century