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  • As part of the Met's Open Access policy, you can freely copy, modify and distribute this image, even for commercial purposes.
    APIPublic domain data for this object can also be accessed using the Met's Open Access API
  • Objects with changed or unknown ownership in continental Europe between 1933-1945. Learn more
Showing 1,171 results
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Copy of L'Arquebusade (The Shot the Arquebus), from Les Misères et les Mal-Heures de la Guerre (The Miseries and Misfortunes of War), plate 12
Anonymous
after 1633
Valentine
Anonymous
1850–70
Saint Wolfgang
Anonymous
1602–1632
Wilton album, folio 48a: A seated, winged female figure holding trumpets to her left and right lead on a triumphal wagon by two further winged female figures holding swans on leashes; to her right a sea creature wrestling a monstrous creature; one of five frieze prints depicting sea creatures and monsters in the album
Anonymous
1540–1600
Valentine
Anonymous
1850–60
Valentine
Anonymous
1850–60
Fireworks and triumphal arch erected in Buda to celebrate the expulsion of the Turks, September 1686
Anonymous
1686
Maison antique a Nymmes, from "Speculum Romanae Magnificentiae"
Anonymous
16th century
Valentine
Anonymous
1850–79
Valentine
Anonymous
mid 19th century
Valentine
Anonymous
before 1880
Reverse Copy of Madame Bouthillier (Marie de Bragelogne)
Anonymous
ca. 1815
Job Sitting on the Dunghill, plate 2 from "The Story of Job"
Anonymous
1585
Reverse Copy of L'Auberge (The Inn), from "Les Caprices" Series A, The Florence Set
Anonymous
17th century
Front view of St. Lawrence Gateway, Rome, from "Speculum Romanae Magnificentiae"
Anonymous
1566
Bekanntmachung
Anonymous
1914
Micrographic Design in the Shape of a Pair of Glasses
Anonymous
early 17th century
Valentine, 1914
Anonymous
1914
Valentine
Anonymous
1850–70
Calligraphic Exercise in Italian (Cursive Script)
Anonymous
early 17th century
Valentine
Anonymous
mid 19th century
Valentine
Anonymous
ca. 1880
Reverse Copy of La Mendainte au Rosaire (The Female Beggar with a Rosary), from Les Gueux suite appelée aussi Les Mendiants, Les Baroni, ou Les Barons (The Beggars, also called the Barons)
Anonymous
17th century
Reverse Copy of Le Paysan Portant sa Pelle sur L'Épaule (The Peasant Carrying his Shovel over his Shoulder), from "Les Caprices" Series A, The Florence Set
Anonymous
17th century
Le Zani ou Scapin, from "Les Trois Pantalons pièces appélees Les Trois Acteurs" (The Three Pants also called the Three Actors)
Anonymous
17th century
Wilton album, folio 100: an elderly sybil, resting her left elbow on two books, while reading an open book in her lap, a putto pointing to her at right
Anonymous
17th century
Edgar Degas, calling card
Anonymous
ca. 1870–1917
Un Gentilhomme et son Page (A Gentleman and his Page), from "Les Caprices" Series A, The Florence Set
Anonymous
17th century
Micrographic Design in the Shape of a Labyrinth
Anonymous
early 17th century
L'Iride
Anonymous
1836
El Palo de Ciego
Anonymous
1863
The Prison; a group of men in a dungeon bound in chains and shackles; to the right a figure hanging from his arms, tied to a boulder
Anonymous
n.d.
Henri Matisse, calling card and envelope
Anonymous
ca. 1904–31
Bekanntmachung
Anonymous
1914
Apolinis (Apolinis in uiridario Magni Ducis Etruriae), from "Speculum Romanae Magnificentiae"
Anonymous
16th century
Statue of Meleager, from "Speculum Romanae Magnificentiae"
Anonymous
1555
Valentine
Anonymous
1850–70
Valentine
Anonymous
ca. 1880
Auguste Rodin, calling card
Anonymous
ca. 1880–1917
Valentine
Anonymous
1850–70