House of Cards (5 Panes)
Gerhard Richter German
Not on view
The title of this recent work alludes to American artist Richard Serra’s One Ton Prop (House of Cards) (1969), a cuboidal sculpture of unwelded lead plates propped against one another. Yet whereas Serra is concerned with structural limits of lead, Richter addresses the imagistic effects of glass. Beginning with his first work in this material, 4 Panes of Glass from 1967 (displayed on Floor 3), Richter has been preoccupied with the visual and conceptual effects of reflections and refractions caught in glass. In this instance, the variously angled, frameless panes describe a precarious structure that underscores—in a manner akin to the blur in his early paintings—the instability of perception.
This artwork is meant to be viewed from right to left. Scroll left to view more.