The Murders in the Rue Morgue, for Edgar Allan Poe’s “Tales of Mystery and the Imagination,” Chicago, 1895–96

Aubrey Vincent Beardsley British
Related author Edgar Allan Poe American

Not on view

Beardsley here responds to Poe’s "Murders in the Rue Morgue," choosing to represent the aftermath of a violent scene described by a sailor who owns a gigantic "Ourang-Outang." The text recounts how the "ferocious animal" kills Madame L'Espanaye, then strangles her daughter, and attempts to hide his crime by "thrust[ing her body] up the chimney." Beardsley's creature (not an orangutan because of its tail), has with pointed nails and a chandelier earring. Carrying the girl's limp body, the animal strides before a large curtained bed in a room that shows no sign of disarray. The body is dressed in pantalettes, a corset and one slipper, with hair falling across the face. This is one of four drawings that Beardsley made to illustrate a new American edition of Poe's "Tales of Mystery and the Imagination." The commission came from the Chicago publisher Stone and Kimball in December 1893 and the artist wrote in response that he believed the material offered "an admirable chance of picture making." Beginning in February 1894, Beardsley completed four of the eight requested designs. Related sets of prints were issued in portfolios that accompanied deluxe Japanese vellum versions of the publication in 1895-96.

The Murders in the Rue Morgue, for Edgar Allan Poe’s “Tales of Mystery and the Imagination,” Chicago, 1895–96, Aubrey Vincent Beardsley (British, Brighton, Sussex 1872–1898 Menton), Pen, brush and India ink over graphite

Due to rights restrictions, this image cannot be enlarged, viewed at full screen, or downloaded.

Open Access

As part of the Met's Open Access policy, you can freely copy, modify and distribute this image, even for commercial purposes.

API

Public domain data for this object can also be accessed using the Met's Open Access API.