Design for a Gold Pendant with Cannetille Scrolls, Gold Granules and Black Pearls

Drawing with a design for a gold pendant with cannetille scrolls, gold granules and black pearls that is part of a collection of 85 drawings with figurative designs for earrings, brooches, pendants and other jewels, possibly real-sized, created with graphite and gouache and heightened with gold inside lithograph frames. These designs are all characteristic of the period between 1870 and 1900, when jewelry design saw a great degree of innovation and creativity in both style and technique. Some of the most important innovations that took place at this time included the setting of diamonds without metal on the back to reinforce the refraction of light on the cut surfaces of the stones, and the use of gold granules and cannetille (scrolls of metal strips) in the creation of fine metal surfaces. (Semi-)precious stones continued to be used in jewelry design at this time, especially with the discovery of diamond mines in South Africa, although alternative techniques, many of them inspired on ancient jewelry, were also common: Enamel in its different application techniques (including champlevé, cloisonné, and low-relief) was particularly popular. In addition to enamel, colored glass was used to add touches of color to the metallic structures that formed the base of the jewels. In general, jewelry design during this period became more complex, and the colors in nature were mimicked by the color of gemstones used for jewelry design: the designs were elaborate and relied in the natural beauty of cabochon gems, curving, and figurative designs with symbolic meaning, typical of the Arts and Crafts movement. Towards the end of the nineteenth century, the Art Nouveau movement created sinuous and organic pieces that moved away from conventional stones and put emphasis on the subtle effects of materials such as glass, horn and enamel. The European Middle Ages and the Renaissance, as well as civilizations of the Mediterranean, and even Japan, became important sources of inspiration for jewelry design at this time.

This design for a pendant is made up of a gold hasp from which hangs a gold ring that holds three gold triangular frames with curved bases, placed together so that they form what looks like a parasole shape, with gold cannetille naturalistic scrolling motifs inside. From the center of the triangle frame in the middle hangs an egg-shaped gold frame with gold granules of different sizes on the outer edge and a palmette motif made out of nine thin strings of gold that end in round black pearls inside. The black pearls could have been replaced by dark-gray-colored glass stones, a technique that was popular in jewelry manufacture at the time when this design was created. The drawing is made over a black gouache background inside a cream lithograph frame.