Returned to lender
The Met accepts temporary loans of art both for short-term exhibitions and for long-term display in its galleries.
"The Nightmare Dream of a King: The Fearsome Aftermath of the Battle of Kurukshetra," Folio from the unfinished "Small Guler" Bhagavata Purana (The Ancient Story of God)
This artwork is meant to be viewed from right to left. Scroll left to view more.
This image cannot be enlarged, viewed at full screen, or downloaded.
This image cannot be enlarged, viewed at full screen, or downloaded.
Artwork Details
Use your arrow keys to navigate the tabs below, and your tab key to choose an item
Title:"The Nightmare Dream of a King: The Fearsome Aftermath of the Battle of Kurukshetra," Folio from the unfinished "Small Guler" Bhagavata Purana (The Ancient Story of God)
Artist:Manaku (Indian, active ca. 1725–60)
Date:ca. 1740
Medium:Opaque watercolor, gold and silver on paper
Dimensions:Page: H. 8 9/16 in. (21.7 cm) W. 12 3/4 in. (32.4 cm) Painting: H. 6 15/16 in. (17.6 cm) W. 11 3/16 in. (28.4 cm)
Classification:Paintings
Credit Line:Promised Gift of the Kronos Collections, 2015
This painting illustrates a scene described in Book One of the Bhagavata Purana. After
the fearsome battle that concludes the war between the Pandavas and the Kauravas, King
Yudhisthira cries out “Shame on me. I have caused to be slain young boys, Brahmanas,
kinsmen, friends, uncles, brothers and the preceptors. My horrible and despicable sin on
account of this will not be fully expatiated even after suffering ten thousand years of hellfire.” (1)
The tangle of victims, the dead and wounded horses, elephants, chariots, and soldiers,
some dressed in chain mail and others dressed in striped coats, all besmirched with splashes of
blood and arrayed beneath a shower of flying arrows, fills the entire foreground of this harrowing
depiction of the aftermath of Yudhisthira’s battle. The tapestry weave of figures and animals in
the foreground space unfolds against a solid orange background below a narrow strip of white
and blue sky. The shallow space, brightly colored background, and flattened figures with their
sinuous yet firm outlines are characteristic of the earlier work painted by the master artist
Manaku.
For discussion of the artist, see cat. no. 74. For another other work by the same artist,
see cat. no. 67. That drawing is from the same important series as the present work: the so- called ‘Small Guler Bhagavata Purana’ Series.
. (1) J.M. Sanyal, translator, The SrimadBhagavatam, New Delhi, 1970, vol. I, pg. 33.
Inscription: Inscribed on the verso in Sanskrit written in black ink in devanagari script: several lines of text
Terence McInerney 1990
New York. The Metropolitan Museum of Art. "Divine Pleasures: Painting from India's Rajput Courts—The Kronos Collections," June 13–September 11, 2016.
Associate Curator Maryam Ekhtiar explores the depiction of blood in a painting on view in Divine Pleasures: Painting from India's Rajput Courts—The Kronos Collections and artworks from The Met collection.
The Met's collection of Asian art—more than 35,000 objects, ranging in date from the third millennium B.C. to the twenty-first century—is one of the largest and most comprehensive in the world.