Teabowl (Chawan)

Style of Ogata Kenzan Japanese

On view at The Met Fifth Avenue in Gallery 199


Kenzan was born into a wealthy merchant household and become involved with pottery production in his thirties. His style over time became a "brand," Kenzan ware, exemplified by the teabowl. It features a graphic pattern of auspicious plants, pine, and bamboo that is associated with longevity and New Year celebrations. The freshwater jar by Kenzan’s successor, Ihachi, has geometric patterns in blue, brown, and yellow glazes that resonate with Moore’s design sensibilities.

Teabowl (Chawan), Style of Ogata Kenzan (Japanese, 1663–1743), Stoneware with black glaze and inlaid white slip (Kyoto ware), Japan

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Teabowl (Chawan), Style of Ogata Kenzan (Japanese, 1663–1743), Stoneware with black glaze and inlaid white slip (Kyoto ware), Japan
Teabowl (Chawan), Style of Ogata Kenzan (Japanese, 1663–1743), Stoneware with black glaze and inlaid white slip (Kyoto ware), Japan
Teabowl (Chawan), Style of Ogata Kenzan (Japanese, 1663–1743), Stoneware with black glaze and inlaid white slip (Kyoto ware), Japan
Teabowl (Chawan), Style of Ogata Kenzan (Japanese, 1663–1743), Stoneware with black glaze and inlaid white slip (Kyoto ware), Japan
Teabowl (Chawan), Style of Ogata Kenzan (Japanese, 1663–1743), Stoneware with black glaze and inlaid white slip (Kyoto ware), Japan
Teabowl (Chawan), Style of Ogata Kenzan (Japanese, 1663–1743), Stoneware with black glaze and inlaid white slip (Kyoto ware), Japan

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