Floral collar from Tutankhamun's Embalming Cache, Papyrus, olive leaves, persea leaves, nightshade berries, celery (?), faience, linen dyed red

Floral collar from Tutankhamun's Embalming Cache

Period:
New Kingdom
Dynasty:
Dynasty 18
Reign:
reign of Tutankhamun
Date:
ca. 1336–1327 B.C.
Geography:
From Egypt, Upper Egypt, Thebes, Valley of the Kings, Embalming cache of Tutankhamun (KV 54), Davis/Ayrton excavations, 1907
Medium:
Papyrus, olive leaves, persea leaves, nightshade berries, celery (?), faience, linen dyed red
Dimensions:
Diam. 47 cm (18 1/2 in.); W. 17 cm (6 11/16 in.); Diam. of disk beads 0.5 cm (3/16 in.)
Credit Line:
Gift of Theodore M. Davis, 1909
Accession Number:
09.184.216
On view at The Met Fifth Avenue in Gallery 122
This remarkably well preserved floral collar illustrates how the broad collars so frequently depicted in Egyptian tomb paintings were made. Alternating rows of flower petals and blossoms, leaves, berries, and blue faience beads were sewn to a papyrus backing, and linen ties secured the collar around the wearer's neck. Some of the flora used in the Tutankhamun collars have been identified as olive leaves, cornflowers, and poppies (09.184.214) . Several collars in the cache were bound around the edge with red cloth (09.184.215), and the resulting combination of red, blue, black, and green must have been very colorful and similar to the polychrome decoration on some of the pottery jars in the same deposit (09.184.90).
Excavated by Theodore M. Davis in the Valley of the Kings (KV 54), 1907. Received by Davis in the division of finds. Given by Davis to the Metropolitan Museum of Art, 1909.

Hayes, William C. 1959. Scepter of Egypt II: A Background for the Study of the Egyptian Antiquities in the Metropolitan Museum of Art: The Hyksos Period and the New Kingdom (1675-1080 B.C.). Cambridge, Mass.: The Metropolitan Museum of Art, p. 303, fig. 188.

Winlock, Herbert E. 2010. "Materials Used at the Embalming of King Tutankhamun." In Tutankhamun's Funeral, edited by Herbert E. Winlock and Dorothea Arnold. New York: The Metropolitan Museum of Art, pp. 58–59, 62–63, figs. 65–66.