Picasso had first encountered African carvings in the studio of Henri Matisse. Writers believe that this drawing evokes the African Fang masks Picasso had seen during his repeated visits to the Musée d'Ethnographie du Trocadéro (now part of the Musée du Quai Branly, Paris) in the spring of 1908.
This image cannot be enlarged, viewed at full screen, or downloaded.
Open Access
As part of the Met's Open Access policy, you can freely copy, modify and distribute this image, even for commercial purposes.
API
Public domain data for this object can also be accessed using the Met's Open Access API.
Inscription: Signed (lower right, in graphite): Picasso
[Galerie Alfred Flechtheim, Berlin, until 1922; sold on July 21, 1922 to Thayer]; Scofield Thayer, Vienna and New York (1922 d.1982; on extended loan to the Worcester Art Museum, Worcester, Mass., as part of the Dial Collection, 1934 82, inv. 34.73; his bequest to MMA)
Worcester Art Museum. "The Art of the Third Republic: French Painting 1870–1940," February 22–March 16, 1941, no. 47.
Princeton University Art Museum. "Loan Exhibition of Picasso Drawings," January 10–31, 1949, no. 15.
Worcester Art Museum. "The Dial and the Dial Collection," April 30–September 8, 1959, no. 192.
Worcester Art Museum. "Selections from the Dial Collection," November 13–30, 1965, unnum. checklist.
Worcester Art Museum. "The Model in Art," August 31–October 18, 1977, no catalogue.
Worcester Art Museum. "'The Dial': Arts and Letters in the 1920s," March 7–May 10, 1981, no. 118.
New York. The Metropolitan Museum of Art. "60 Drawings: Recent Acquisitions," October 23, 1990–January 15, 1991, no catalogue.
New York. The Metropolitan Museum of Art. "Drawings: Additions to the Collection," May 23–September 29, 1991, no catalogue.
New York. The Metropolitan Museum of Art. "Nudes: A Selection from the Bequest of Scofield Thayer," February 12–October 31, 1993, no catalogue.
New York. The Metropolitan Museum of Art. "Sculptors' Drawings: 1900–1935," November 10, 1994–March 26, 1995, no catalogue.
Paris. Musée Picasso. "Picasso 1901–1909: Chefs d'oeuvre du Metropolitan Museum of Art, New York," October 21, 1998–January 25, 1999, unnumbered cat. (fig. 18).
New York. The Metropolitan Museum of Art. "Painters in Paris: 1895–1950," March 8–December 31, 2000, extended to January 14, 2001, unnumbered cat. (p. 66).
New York. The Metropolitan Museum of Art. "Picasso in The Metropolitan Museum of Art," April 27–August 1, 2010, no. 42.
New York. Solomon R. Guggenheim Museum. "Picasso Black and White," October 5, 2012–January 23, 2013, no. 6.
New York. The Metropolitan Museum of Art. "Nudes: Drawings by Sculptors," October 20, 2014–January 25, 2015, no catalogue.
New York. The Metropolitan Museum of Art [The Met Breuer]. "Obsession: Nudes by Klimt, Schiele and Picasso from the Scofield Thayer Collection," July 3–October 7, 2018, no. 46.
Christian Zervos. Pablo Picasso. Vol. 2b, Works from 1912 to 1917. Paris, 1942, p. 310, no. 706, ill.
Wilhelm Boeck and Jaime Sabartés. Picasso. New York, 1955, pp. 482, 489 (no. 96), no. 250, ill.
Pierre Daix and Joan Rosselet. Picasso, The Cubist Years, 1907–1916: A Catalogue Raisonné of the Paintings and Related Works. 2nd ed. [1st ed., 1979, French]. Boston, 1979, p. 218.
Julia May Boddewyn in Michael FitzGerald. Picasso and American Art. Exh. cat., Whitney Museum of American Art. New York, 2006, p. 340.
Sabine Rewald inPicasso in The Metropolitan Museum of Art. Ed. Gary Tinterow and Susan Alyson Stein. Exh. cat., The Metropolitan Museum of Art. New York, 2010, pp. 122–23, no. 42, ill. (color).
Rachel Mustalish inPicasso in The Metropolitan Museum of Art. Ed. Gary Tinterow and Susan Alyson Stein. Exh. cat., The Metropolitan Museum of Art. New York, 2010, p. 122.
Sabine Rewald inObsession: Nudes by Klimt, Schiele and Picasso from the Scofield Thayer Collection. Exh. cat., The Metropolitan Museum of Art [The Met Breuer]. New York, 2018, pp. 98, 127, no. 46, ill. p. 107 (color).
Pablo Picasso (Spanish, Malaga 1881–1973 Mougins, France)
1921
Resources for Research
The Met's Libraries and Research Centers provide unparalleled resources for research and welcome an international community of students and scholars.
The Met Collection API is where all makers, creators, researchers, and dreamers can connect to the most up-to-date data and public domain images for The Met collection. Open Access data and public domain images are available for unrestricted commercial and noncommercial use without permission or fee.
Feedback
We continue to research and examine historical and cultural context for objects in The Met collection. If you have comments or questions about this object record, please complete and submit this form. The Museum looks forward to receiving your comments.
The Met's engagement with art from 1890 to today includes the acquisition and exhibition of works in a range of media, spanning movements in modernism to contemporary practices from across the globe.