This embroidery illustrates either a popular story or a courtly pastime. A lady and gentleman stand beneath a tree; she cradles a small dog under her arm and he offers her a flower or ring. This scene is commonly represented on fourteenth-century ivory mirror backs. The bag may have been made by a professional embroiderer or by the woman who carried it, inasmuch as skill in fine needlework was considered essential for ladies.
[ Giorgio Sangiorgi, Rome]; [ Adolph Loewi, Inc., Los Angeles (sold 1946)]
New York. The Cloisters Museum & Gardens. "The Secular Spirit: Life and Art at the End of the Middle Ages," March 28, 1975–June 15, 1975.
Symonds Antrobus, Mary, and Louisa Preece. Needlework Through the Ages: A Short Survey of Its Development in Decorative Art, with Particular Regard to Its Inspirational Relationship with Other Methods of Craftsmanship
. London: Hodder and Stoughton, 1928.
Husband, Timothy B., and Jane Hayward, ed. The Secular Spirit: Life and Art at the End of the Middle Ages. New York: The Metropolitan Museum of Art, 1975. no. 88b, pp. 80–81.
Blanc, Monique. "L'Argent, le Pouvoir, l'Apparat: le Sac de Presige au Moyen Âge." In Le Cas du Sac: Histoires d'une Utopie Portrative, edited by Musée de la Mode et du Textile and Hermès. Paris: Union Centrale des Arts Décoratifs, 2004. p. 214.