This artwork is meant to be viewed from right to left. Scroll left to view more.
Artwork Details
Use your arrow keys to navigate the tabs below, and your tab key to choose an item
Title:Mourning Woman
Date:ca. 1480
Culture:South Netherlandish
Medium:Walnut, polychromy and gilding
Dimensions:Overall: 19 1/8 x 6 9/16 x 4 3/16 in. (48.5 x 16.6 x 10.7 cm)
Classification:Sculpture-Wood
Credit Line:Gift of George Blumenthal, 1941
Object Number:41.100.128
E. Vaïsse, Marseille (until 1885); his sale, Hôtel Drouot, Paris (May 5-8, 1885, no. 25); Edouard André ; Maurice Chabrières-Arlès, Lyon and Paris ( from about 1900–03); George and Florence Blumenthal, Paris and New York (1926-1941)
Petit Palais, Musée des Beaux Arts de la Ville de Paris. "Exposition universelle de 1900. L'exposition retrospective de l'art francais," April 14–November 12, 1900.
Hôtel de Sagan, Paris. "Exposition d'objets d'art du moyen age et de la renaissance: tirés des collections particulières de la France et de l'étranger," May–June 1913.
New York. The Metropolitan Museum of Art. "Masterpieces from the George Blumenthal Collection," December 8, 1943–?
Objets d'art et de haute curiosité du Moyen-Âge, de la Renaissance et des temps modernes composant l'importante Collection de M. E. Vaïsse de Marseille. Paris: Hôtel Drouot, May 5–8, 1885. no. 25, p. 4.
Catalogue officiel illustré de l'exposition retrospective de l'art français des origines à 1800. Exposition universelle de 1900. Paris: Lemercier & Cie., 1900. no. 3090, p. 302.
Migeon, Gaston. "Exposition Universelle. Exposition rétrospective de l'art français." La Revue de l'Art Ancien et Moderne 8, no. 4 (September 1900). pp. 193–94.
Molinier, Emile, and F. Marcou. Exposition rétrospective de l'art français des origines à 1800, edited by Emile Lévy. Exposition universelle de 1900: l'art français des origines à la fin du XIXe siècle. Paris: Librairie Centrale des Beaux-Arts, [1901]. p. 140, ill. [unnumbered pl.].
Vitry, Paul. Michel Colombe et la sculpture française de son temps. Paris: Librairie Centrale des Beaux-Arts, 1901. pp. 315–16.
Migeon, Gaston. "La Collection Chabrières-Arlès." Les Arts 23 (November 1903). p. 9.
Ricci, Seymour de, ed. Exposition d'objets d'art du moyen âge et de la renaissance, tirés des collections particulières de la France et de l'étranger, organisée par la marquise de Ganay à l'ancien Hôtel de Sagan (mai–juin 1913). Paris: E. Levy, 1914. pl. XXXI.
Rubinstein-Bloch, Stella. Catalogue of the Collection of George and Florence Blumenthal, New York: Volume 2, Sculpture and Bronzes, Mediaeval and Renaissance. Paris: A. Lévy, 1926. pl. XVI (left).
Frankfurter, Alfred M. "End of an Era: The Blumenthal Collection at The Metropolitan." Art News vol. 42 (December 15-31, 1943). p. 28, ill. p. 25.
The Metropolitan Museum of Art. Masterpieces in the Collection of George Blumenthal: A Special Exhibition. New York: The Metropolitan Museum of Art, 1943. no. 6.
The Metropolitan Museum of Art. Masterpieces in the Collection of George Blumenthal: A Special Exhibition. New York: The Metropolitan Museum of Art, 1943. fig. 6.
Forsyth, William H. A Brief Guide to the Mediaeval Collection. New York: The Metropolitan Museum of Art, 1947. p. 11.
Mayor, A. Hyatt. "The Gifts that Made the Museum." The Metropolitan Museum of Art Bulletin, n.s., 16, no. 3 (November 1957). ill. p. 104.
The Metropolitan Museum of Art. Art Treasures of the Metropolitan: A Selection from the European and Asiatic Collections of the Metropolitan Museum of Art. New York: H. N. Abrams, 1952. no. 43, pp. 53, 221.
The Metropolitan Museum of Art. Guide to the Collections: Medieval Art. New York: The Metropolitan Museum of Art, 1962. p. 41, fig. 58.
Müller, Theodor. Sculpture in the Netherlands, Germany, France and Spain. Baltimore: Penguin Books, 1966. pp. 139–40.
Didier, Robert, and Hartmut Krohm. Les Sculptures médiévales allemandes dans les collections belges. Brussels: Société Génèrale de Banque, 1977. p. 100, n.5.
Weniger, Matthias. "Vers une réévaluation des prémices de la production des retables anversois: L'atelier du Maître de Klausen." In Retables brabançons des XVe et XVIe siècles: Actes du colloque organisé par le musée du Louvre les 18 et 19 mai 2001. Louvre Conférences et Colloques. Paris: La Documentation Française, 2001. pp. 499–501, fig. 20, 21.
Guillot de Suduiraut, Sophie, and Juliette Levy. "Autour d'une Descente de croix acquise par le Musée du Louvre." In La sculpture en Occident: Études offertes à Jean-René Gaborit, edited by Genevieve Bresc-Bautier, Françoise Baron, and Pierre-Yves Le Pogam. Dijon: Éditions Faton, 2007. pp. 87–101, fig. 3, 6 bis, 10, 14.
Geelen, Ingrid, and Delphine Steyaert. Imitation and Illusion: Applied Brocade in the Art of the Low Countries in the Fifteenth and Sixteenth Centuries. Scientia Artis 6. Brussels: Koninklijk Instituut voor het Kunstpatrimonium, 2011. p. 289.
The Met's Libraries and Research Centers provide unparalleled resources for research and welcome an international community of students and scholars.
The Met Collection API is where all makers, creators, researchers, and dreamers can connect to the most up-to-date data and public domain images for The Met collection. Open Access data and public domain images are available for unrestricted commercial and noncommercial use without permission or fee.
Feedback
We continue to research and examine historical and cultural context for objects in The Met collection. If you have comments or questions about this object record, please complete and submit this form. The Museum looks forward to receiving your comments.
The Museum's collection of medieval and Byzantine art is among the most comprehensive in the world, encompassing the art of the Mediterranean and Europe from the fall of Rome to the beginning of the Renaissance.