This cylindrical dawat (inkwell) with a domed lid once fit into a metal penbox, where it was secured by a line of soldering along its seam. Inlaid silver forms the primary decoration of floral vines and animals, and engraved and chased floral patterns occupy the background. A piercing in the lid suggests that a ring may have once eased the opening and closing of the inkwell. Referenced in Persian poetry and histories as early as the tenth century, cylindrical inkwells with domed lids were produced in great numbers in twelfth to sixteenth century Iran.
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Artwork Details
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Title:Inkwell with Floral and Animal Imagery
Date:16th century
Geography:Attributed to Iran
Medium:Brass; lid cast, body worked, engraved, and chased, inlaid with silver
Dimensions:H. 3 5/8 in. (9.2 cm)
Classification:Metal
Credit Line:Rogers Fund, 1941
Object Number:41.120a, b
Inkwell with Cover
Naturalistic floral and animal decoration is combined with architectonic forms in this inkwell. Architectural shapes were first adapted for Islamic metalwork in eastern Iran during the Seljuk period in the twelfth and thirteenth centuries. The cylindrical body resembles a mausoleum with a recessed dome topped by a pierced finial. The graceful, overlapping scroll systems bearing peonies, lotuses, and leaf forms make an ideal setting for the rabbits, quadrupeds, and felines to rest or romp. The shapes of the scrolls, plants, and animals are derived from the art of illumination and provide evidence that the craft of inlaying metalwork was still executed with mastery even in the later Safavid period. The inkwell was once joined to a pen case.
Carolyn Kane in [Berlin 1981]
Paul Garnier, Paris (by 1903–at least 1907); Sarah Green Walters (American), Baltimore (until 1941; to Brummer); [ Brummer Gallery, New York, 1941; sold to MMA]
Paris. Musée des Arts Décoratifs. "Exposition des Arts Muselmans," 1903, pl. XX.
New York. Asia Society. "Shah Abbas and the Arts of Isfahan," October 11, 1973–December 2, 1973, no. 39.
Boston. Fogg Museum, Harvard Art Museums. "Shah Abbas and the Arts of Isfahan," January 19, 1974–February 19, 1974, no. 39.
Berlin. Museum für Islamische Kunst, Pergamonmuseum, Staatliche Museen zu Berlin. "The Arts of Islam. Masterpieces from the M.M.A.," June 15, 1981–August 8, 1981, no. 88.
New York. The Hagop Kevorkian Special Exhibitions Gallery, The Metropolitan Museum of Art. "The Nature of Islamic Ornament, Part IV: Figural Representation," September 16, 1999–January 30, 2000, no catalogue.
Paris. Musée du Louvre. "Louvre Long Term Loan," April 28, 2004–April 27, 2006, no catalogue.
New York. The Metropolitan Museum of Art. "Making The Met, 1870–2020," August 29, 2020–January 3, 2021.
Migeon, Gaston. "Exposition des Arts Musulmans au Musee des Arts Decoratifs." Les Arts no. 16 (1903). ill. pl. 20 (b/w).
Migeon, Gaston. "Les Arts Plastiques et Industriels." In Manuel d'Art Musulman. vol. 2. Paris: Alphonse Picard et Fils, 1907. pp. 205, 214, ill. fig. 175 (b/w).
Welch, Anthony, ed. Shah 'Abbas and the Arts of Isfahan. Cambridge and New York: Asia House Gallery, 1973. no. 39, pp. 56–57, 70, ill. p. 56 (b/w).
"Masterpieces from The Metropolitan Museum of Art New York." In The Arts of Islam. Berlin, 1981. no. 88, pp. 214–15, ill. (b/w).
Dunn-Vaturi, Anne-Elizabeth, and Martina Rugiadi. "in: The Brummer Galleries, Paris and New York. Edited by Biro, Brennan and Force." In The Brummer Gallery and the Making of Iranian and Islamic Art, edited by Yaëlle Biro, Christine Brennan, and Christel Hollevoet-Force. Brill, 2023. pp. 420, 446, fig. 10.3A-B (b/w).
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