Handscroll; ink on dyed paper with stenciled decoration in gold and silver
11 3/4 x 107 in. (29.9 x 271.8 cm)
Purchase, Friends of Asian Art Gifts, 1986
Not on view
Ten waka (poems of thirty-one syllables) describing the various stages of spiritual awareness, from the initial search to final realization, are couched in the classic Zen parable Ten Ox-Herding Songs, which likens this vigorous human quest to the often comic vicissitudes of a herdboy in pursuit of an elusive ox. The courtier-calligrapher Karasumaru Mitsuhiro rendered the Zen theme in a style that reflects the aristocratic tradition of personally expressive writing on decorated paper.
The poems, Mitsuhiro’s own, are based on a set by a fifteenth-century monk at Tōfukuji, an important Zen temple in Kyoto. Following a common literary practice, Mitsuhiro personalized the poems by making slight changes to their wording, each change alluding to classical sources. Mitsuhiro also subtly altered the standard sequence of accompanying pictures. The style of the calligraphy is influenced by that of Mitsuhiro’s teacher, Hon’ami Kōetsu (1558–1637), who with Mitsuhiro was instrumental in reviving the aesthetics of Heian-period (794–1185) art in the early seventeenth century.
Mitsuhiro was a major figure in the circle of the politically enfeebled but artistically influential Emperor Go-Mi zunō-ō (1596–1680).
New York. The Metropolitan Museum of Art. "The Resonant Image: Tradition in Japanese Art (Part Two)," April 27, 1998–September 27, 1998.
New York. The Metropolitan Museum of Art. "Art in Early Japan," 1999–2000.
New York. The Metropolitan Museum of Art. "Enlightening Pursuits," February 28, 2001–August 5, 2001.
New York. The Metropolitan Museum of Art. "Birds, Flowers, and Buddhist Paradise Imagery in Japanese Art," February 14, 2004–June 13, 2004.
New York. The Metropolitan Museum of Art. "Poetry and Travel in Japanese Art," December 18, 2008–May 31, 2009.