Chinese literati enjoying gardens became a common subject in the art of the late Ming period. Artists typically included stock figures based on woodblock prints, such as the musicians gathered in the pavilion on this dish. Here, the men play a mouth organ (sheng), a zither (zheng), and possibly clappers. One young attendant carries another type of zither (qin), suggesting that the two gentlemen outside the pavilion will be joining their fellow musicians.
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Watt, James C. Y., and Barbara Brennan Ford. East Asian Lacquer: The Florence and Herbert Irving Collection. Exh. cat. New York: The Metropolitan Museum of Art, 1991, pp. 133–134, cat. no. 59.
Leidy, Denise Patry. Mother-of Pearl: A Tradition in Asian Lacquer. Exh. cat. New York: The Metropolitan Museum of Art, 2006, p. 58, cat. no. 12.
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The Met's collection of Asian art—more than 35,000 objects, ranging in date from the third millennium B.C. to the twenty-first century—is one of the largest and most comprehensive in the world.
