Lauffenbourgh on the Rhine, part VI, plate 31 from "Liber Studiorum"

Designed and etched by Joseph Mallord William Turner British
 Engraver Thomas Hodgetts British
 Publisher Joseph Mallord William Turner British

Not on view

Turner distilled his ideas about landscape In "Liber Studiorum" (Latin for Book of Studies), a series of seventy prints plus a frontispiece published between 1807 and 1819. To establish the compositions, he made brown watercolor drawings, then etched outlines onto copper plates. Professional engravers usually developed the tone under Turner's direction, and Hodgetts here added mezzotint to describe the Swiss city of Laufenburg. Houses and towers with steeply pitched roofs cluster tightly on the bank next to a high, stone-piered bridge that crosses the Rhine to Germany. The letter "A" in the upper margin indicates Turner's category of Architectural landscape.

Lauffenbourgh on the Rhine, part VI, plate 31 from "Liber Studiorum", Designed and etched by Joseph Mallord William Turner (British, London 1775–1851 London), Etching and mezzotint; first state of six (Finberg)

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