Recent finds of gold foil alongside finely carved discs suggest ring and disc stones were jewelers’ molds. Their designs incorporate honeysuckle and lotus, signs of auspiciousness and abundance. The Hellenized honeysuckle, introduced to India from Persia, had a popular local equivalent, the snake flower (nagapuspa).
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Artwork Details
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Title:Ring stone with goddesses and aquatic plants
Period:Maurya
Date:3rd–late 2nd century BCE
Culture:Northern India
Medium:Steatite
Dimensions:Diam. 2 5/16 in. (5.9 cm)
Classification:Stone
Credit Line:Samuel Eilenberg Collection, Bequest of Samuel Eilenberg, 1998
Object Number:2000.284.10
Samuel Eilenberg , New York (by 1989–d. 1998; bequeathed to MMA)
New York. The Metropolitan Museum of Art. "The Lotus Transcendent: Indian and Southeast Asian Art from the Samuel Eilenberg Collection," October 2, 1991–June 28, 1992.
Sydney. Art Gallery of New South Wales. "Goddess: Divine Energy," October 13, 2006–January 28, 2007.
New York. The Metropolitan Museum of Art. "Mother India: The Goddess in Indian Painting," June 29–November 27, 2011.
New York. The Metropolitan Museum of Art. "Tree & Serpent: Early Buddhist Art in India, 200 BCE–400 CE," July 17–November 13, 2023.
National Museum of Korea. "Tree & Serpent: Early Buddhist Art in India, 200 BCE–400 CE," December 22, 2023–April 14, 2024.
Postel, Michel. Ear Ornaments of Ancient India. Bombay, India: Project for Indian Cultural Studies, 1989, p. 188, fig. A.3.10.
Martin Lerner, and Steven Kossak. The Lotus Transcendent: Indian and Southeast Asian Art from the Samuel Eilenberg Collection. Exh. cat. New York: The Metropolitan Museum of Art, 1991, p. 49, cat. no. 2, pl. 2.
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