The Adoration of the Shepherds

François Boucher French

Not on view

In eighteenth-century France, sketches in oil or gouache were often used as preparatory studies for paintings but were also highly valued as virtuoso displays of painterly facility. Among the most dexterous in the medium was Boucher, the leading painter at the height of the Rococo period. Much sought-after, his output ranged from large decorative schemes to gem-like cabinet pictures.

In this sketch, which does not correspond closely to a known painting, heavenly light falls upon the Christ child, and the adoring onlookers cast vibrant, translucent shadows. Boucher skillfully explored the richness of light and color, especially apparent in the opaque creamy clouds and the surprising daubs of red paint in the flesh tones of the Virgin and child.

The Adoration of the Shepherds, François Boucher (French, Paris 1703–1770 Paris), Gouache over black chalk underdrawing, on paper, mounted on canvas

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