The city of Tiwanaku near the southern shore of Lake Titicaca in the Bolivian highlands has been renowned for its stone architecture and imposing, finely carved stone sculptures since the sixteenth century. A small version of a type of columnar stone image that existed at Tiwanaku in sizes that reach twenty-four feet in height, this figure is thought to depict an elite lineage founder. While the full-size sculptures may have been part of public rituals honoring ancestors, the smaller version may have been for private ceremonies conducted by upper-class families or clans.
Contained within the roughly rectangular confines of the stone block, the figure has a large head topped by a plain cap with a chin strap. Prominent square, slightly bulging eyes have small profile animal heads incised below them like a band of tears. The figure holds two objects—possibly snuff trays—with stylized, symmetrical hands tightly clasped to his unclad chest. A patterned kilt with a delicately incised design of stylized faces and squares in diagonals covers the lower body. It is an arrangement known from textiles of the period. A wide belt encircles the waist to keep the kilt in place. It is decorated with rayed medallions reminiscent of the rayed face of Tiwanaku's principal deity.
Due to rights restrictions, this image cannot be enlarged, viewed at full screen, or downloaded.
Open Access
As part of the Met's Open Access policy, you can freely copy, modify and distribute this image, even for commercial purposes.
API
Public domain data for this object can also be accessed using the Met's Open Access API.
This artwork is meant to be viewed from right to left. Scroll left to view more.
Artwork Details
Use your arrow keys to navigate the tabs below, and your tab key to choose an item
Title:Standing figure
Artist:Tiwanaku artist(s)
Date:500–1000 CE
Geography:Bolivia
Culture:Tiwanaku
Medium:Stone
Dimensions:H. 18 3/8 x W. 4 7/8 x D. 5 in. (46.7 x 12.4 x 12.7cm)
Classification:Stone-Sculpture
Credit Line:The Michael C. Rockefeller Memorial Collection, Bequest of Nelson A. Rockefeller, 1979
Accession Number:1979.206.833
[Louis Slavitz, New York, until 1959]; Nelson A. Rockefeller, New York, 1959, on loan to The Museum of Primitive Art, New York, 1959–1978
Museum of Primitive Art. "Works from the Permanent Collection: Peru," November 20, 1963–May 10, 1964.
Herbert F. Johnson Museum of Art, Cornell University. "Pre-Columbian Art of Latin America," May 14, 1966–June 24, 1966.
Museum of Primitive Art. "The World of Primitive Art," July 12, 1966–September 11, 1966.
The Metropolitan Museum of Art. "Art of Oceania, Africa and the Americas from The Museum of Primitive Art," May 10–August 17, 1969.
Seattle Art Museum. "Primitive Art/Masterworks," January 5, 1975–February 16, 1975.
American Federation of Arts. "Primitive Art/Masterworks," January 5, 1975–May 15, 1977.
Museum of Fine Arts, Houston. "Primitive Art/Masterworks," March 23, 1975–May 4, 1975.
Dallas Museum of Art. "Primitive Art/Masterworks," June 8, 1975–July 20, 1975.
Art Institute of Chicago. "Primitive Art/Masterworks," August 25, 1975–October 10, 1975.
Virginia Museum of Fine Arts. "Primitive Art/Masterworks," November 9, 1975–December 21, 1975.
Toledo Museum of Art. "Primitive Art/Masterworks," April 11, 1976–May 25, 1976.
Walker Art Center. "Primitive Art/Masterworks," June 27, 1976–August 8, 1976.
Denver Art Museum. "Primitive Art/Masterworks," September 10, 1976–November 7, 1976.
de Young Museum, Fine Arts Museums of San Francisco. "Primitive Art/Masterworks," March 12, 1977–May 15, 1977.
Art Institute of Chicago. "The Ancient Americas," October 10, 1992–January 3, 1993.
Museum of Fine Arts, Houston. "The Ancient Americas," February 4, 1993–April 18, 1993.
Los Angeles County Museum of Art. "The Ancient Americas," June 6, 1993–August 15, 1993.
The Metropolitan Museum of Art. "The Nelson Rockefeller Vision: In Pursuit of 'The Best' in the Arts of Africa, Oceania, and the Americas," October 7, 2013–October 9, 2014.
Museum of Primitive Art. Masterpieces in the Museum of Primitive Art: Africa, Oceania, North America, Mexico, Central to South America, Peru. Handbook series. New York, NY: Museum of Primitive Art, 1965, no. 119.
Andrew Dickson White Museum of Art. Pre-Columbian art of Latin America, 10th century B.C.-16th century A.D. Ithaca: Andrew Dickson White Museum of Art, Cornell University, 1966, no. 113.
Metropolitan Museum of Art. Art of Oceania, Africa, and the Americas from the Museum of Primitive Art. New York: The Metropolitan Museum of Art, 1969, no. 504.
American Federation of Arts. Primitive Art Masterworks: an exhibition jointly organized by the Museum of Primitive Art and the American Federation of Arts, New York. New York: American Federation of Arts, 1974, no. 40.
Newton, Douglas. Masterpieces of Primitive Art: The Nelson A. Rockefeller Collection. New York: Alfred A. Knopf, 1978, p. 127.
Newton, Douglas, Julie Jones, and Kate Ezra. The Pacific Islands, Africa, and the Americas: The Metropolitan Museum of Art. New York: The Metropolitan Museum of Art, 1987, p. 156, no. 116.
Janusek, John Wayne. "Critical perspectives in identity, memory, and the built environment." In Identity and Power in the Ancient Andes : Tiwanaku Cities through Time. New York, 2004.
Young-Sánchez, Margaret. Tiwanaku: Ancestors of the Inca. Denver: Denver Art Museum, 2004, pp. 35, 195, fig, 2.14.
The Met's Libraries and Research Centers provide unparalleled resources for research and welcome an international community of students and scholars.
The Met Collection API is where all makers, creators, researchers, and dreamers can connect to the most up-to-date data and public domain images for The Met collection. Open Access data and public domain images are available for unrestricted commercial and noncommercial use without permission or fee.
Feedback
We continue to research and examine historical and cultural context for objects in The Met collection. If you have comments or questions about this object record, please complete and submit this form. The Museum looks forward to receiving your comments.
The Met's collection of art of the peoples of sub-Saharan Africa, the Pacific Islands, and North, Central, and South America comprises more than eleven thousand works of art of varied materials and types, representing diverse cultural traditions from as early as 3000 B.C.E. to the present.
