On the handle, Dionysos and two revelers Upper frieze, horse tamer between onlookers and two wrestlers Lower frieze, animal combats between onlookers
The aryballos is connected with the gymnasium and the palaistra (exercise ground). After exercising, men used oil to clean and care for their skin. The subjects here refer to major interests of young Athenians—horses, athletics, and symposia (drinking party).
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Artwork Details
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Title:Terracotta aryballos (oil flask)
Artist:Attributed to the Amasis Painter
Period:Archaic
Date:ca. 550 BCE
Culture:Greek, Attic
Medium:Terracotta; black-figure
Dimensions:H. 3 1/4 in. (8.3 cm) diameter 3 1/2 in. (8.9 cm)
Classification:Vases
Credit Line:Rogers Fund, 1962
Accession Number:62.11.11
[Until 1962, with Robert E, Hecht, Jr.]; acquired in 1962, purchased from Robert E. Hecht, Jr.
von Bothmer, Dietrich. 1963. "Reports of the Departments." Bulletin of the Metropolitan Museum of Art, 22(2): p. 72.
Beazley, John D. 1971. Paralipomena: Additions to Attic Black-Figure Vase-Painters and to Attic Red-Figure Vase-Painters [2nd edition]. p. 66, Oxford: Clarendon Press.
von Bothmer, Dietrich. 1971. "Three Vases by the Amasis Painter." Madrider Mitteilungen, 12: pp. 125–7, pl.s 27-9.
Kunisch, Norbert. 1972. "Eine neue Fikellura-Vase." Archäologischer Anzeiger, 87: p. 558 n. 33.
von Bothmer, Dietrich and Alan L. Boegehold. 1985. The Amasis Painter and His World: Vase-Painting in Sixth-Century B.C. Athens. n0. 52, pp. 40–41, 43, 45, 194-97, 234 n. 14, Malibu: J. Paul Getty Museum.
Lezzi-Hafter, Adrienne. 1986. "Der Amasis-Maler – ein Athener in Amerika." Artis, 2: p. 12, fig. 4.
von Bothmer, Dietrich. 1986. "Lids by the Amasis Painter." Enthousiasmos: Essays on Greek and Related Pottery Presented to J.M. Hemelrijk, Prof. Herman A. G. Brijder, A. A. Drukker, and C. W. Neeft, eds. Amsterdam: Allard Pierson Museum.
Moore, Mary B. 1987. "The Amasis Painter and Exekias: Approaches to Narrative." The Papers on the Amasis Painter and his World, Andrea P. A. Belloli, ed. p. 161, Malibu, CA: J. Paul Getty Museum.
Mertens, Joan R. 1987. "The Amasis Painter: Artist and Tradition." The Papers on the Amasis Painter and his World, Andrea P. A. Belloli, ed. p. 178–9, Malibu, CA: J. Paul Getty Museum.
Brijder, Herman A. G. 1991. Siana Cups II: The Heidelberg Painter, Allard Pierson Series: Studies in Ancient Civilization, Vol. 8. no. 252, Amsterdam: Allard Pierson Museum.
Carratelli, Giovanni Pugliese and Ranuccio Bianchi Bandinelli. 1994. Enciclopedia dell'Arte Antica, Classica e Orientale: Atlante delle Forme Ceramiche, Suppl. 2, Vol. 1. p. 183, fig. 217, Rome: Instituto della Enciclopedia Italiana.
Isler, Hans Peter. 1994. "Der Töpfer Amasis und der Amasis-Maler. Bemerkungen zur Chronologie und zur Person." Jahrbuch des Deutschen Archäologischen Instituts, 109: p. 113.
Moore, Mary B. 2004. "Horse Care as Depicted on Greek Vases before 400 B.C.." Metropolitan Museum Journal, 39: pp. 35, 52–54, fig. 33.
Picón, Carlos A. 2007. Art of the Classical World in the Metropolitan Museum of Art: Greece, Cyprus, Etruria, Rome no. 92, pp. 87, 423, New York: The Metropolitan Museum of Art.
Arbeid, Barbara, Elena Ghisellini, and Maria Rosaria Luberto. 2022. Ho Pais Kalos : Scritti Di Archeologia Offerti a Mario Iozzo per Il suo Sessantacinquesimo Compleanno pp. 143, n. 58, 285, fig. 6, 286, n. 40, Monte Compatri (RM): Edizioni Espera.
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The Museum's collection of Greek and Roman art comprises more than 30,000 works ranging in date from the Neolithic period to the time of the Roman emperor Constantine's conversion to Christianity in A.D. 312.
