Obverse, seated woman, holding openwork processional basket and accompanied by two other women, Eros, and satyr Reverse, seated woman with standing servant, Eros, and satyr
Openwork baskets of this type holding implements of sacrifice were carried by women in religious processions. The presence of a satyr and Eros on both sides of this vase suggests that the festival being celebrated is the Anthesteria. On the second day of this important Attic celebration devoted to Dionysos, the god of wine, he was united in marriage in a secret ritual to the wife of a high honorary official of Athens. It was apparently also a popular time for weddings in the city, and the seated woman on the back of this vase may be a bride being prepared for marriage. The basket and details of jewelry are in slight relief and gilded.
This image cannot be enlarged, viewed at full screen, or downloaded.
Open Access
As part of the Met's Open Access policy, you can freely copy, modify and distribute this image, even for commercial purposes.
API
Public domain data for this object can also be accessed using the Met's Open Access API.
Use your arrow keys to navigate the tabs below, and your tab key to choose an item
Title:Terracotta skyphos (deep drinking cup)
Period:Late Classical
Date:ca. 350 BCE
Culture:Greek, Attic
Medium:Terracotta; red-figure
Dimensions:H. 6 7/8 in. (17.5 cm) diameter 7 3/4 in. (19.7 cm)
Classification:Vases
Credit Line:Rogers Fund, 1906
Object Number:06.1021.181
Richter, Gisela M. A. 1906. "Collection of Greek and Roman Vases." Bulletin of the Metropolitan Museum of Art, 1(6): pp. 79–80, fig. 7.
Richter, Gisela M. A., Marjorie J. Milne, and The Metropolitan Museum of Art. 1922. Shapes of Greek Vases. New York.
Schefold, Karl. 1934. Untersuchungen zu den Kertscher Vasen. no. 593, pp. 61, 92–93, 96, 104, Berlin: Walter de Gruyter & Co.
Richter, Gisela M. A. and Marjorie J. Milne. 1935. Shapes and Names of Athenian Vases. p. 28, fig. 177, New York: Plantin Press.
Richter, Gisela M. A. and Lindsley F. Hall. 1936. Red-Figured Athenian Vases in the Metropolitan Museum of Art. no. 170, p. 217, pls. 165, 178, New Haven: Yale University Press.
Richter, Gisela M. A. 1946. Attic Red-Figured Vases: A Survey. p. 161, fig. 125, New Haven: Yale University Press.
Bieber, Margarete. 1949. "Eros and Dionysos on Kerch Vases." Hesperia Supplement, 8: pp. 31–38, pl. 4.3a–b.
Metzger, Henri. 1951. Les représentations dans la céramique attique du IVe siècle. no. 29, pp. 30, 45, 144, Paris: E. de Boccard.
Richter, Gisela M. A. 1953. Handbook of the Greek Collection. pp. 115, 254, pl. 94g, Cambridge, Mass.: Harvard University Press.
Richter, Gisela M. A. 1958[1946]. Attic Red-Figured Vases: A Survey, Revised Edition, 2nd edn. p. 161, fig. 125, New Haven: Yale University Press.
Boardman, John. 1989. Athenian Red Figure Vases: The Classical Period, a Handbook. fig. 395, London: Thames and Hudson.
Miller, Margaret C. 1997. Athens and Persia in the Fifth Century B.C.: A Study in Cultural Receptivity. p. 161 n. 60, Cambridge, England: Cambridge University Press.
Gebauer, Jörg. 2002. Pompe und Thysia: Attische Tieropferdarstellungen auf schwarz- und rotfigurigen Vasen. no. Kv 59, pp. 569–70, Münster: Ugarit-Verlag.
Mertens, Joan R. 2010. How to Read Greek Vases. no. 29, pp. 30, 45, 144–48, 152, New York: The Metropolitan Museum of Art.
The Met's Libraries and Research Centers provide unparalleled resources for research and welcome an international community of students and scholars.
The Met Collection API is where all makers, creators, researchers, and dreamers can connect to the most up-to-date data and public domain images for The Met collection. Open Access data and public domain images are available for unrestricted commercial and noncommercial use without permission or fee.
Feedback
We continue to research and examine historical and cultural context for objects in The Met collection. If you have comments or questions about this object record, please complete and submit this form. The Museum looks forward to receiving your comments.
The Museum's collection of Greek and Roman art comprises more than 30,000 works ranging in date from the Neolithic period to the time of the Roman emperor Constantine's conversion to Christianity in A.D. 312.