This helm, or “great bascinet,” for the tournament fought on foot, formerly hung above the tomb of Sir Giles Capel (1485–1556) in Rayne Church, Essex, as specified in his will that this, his “beste helmett,” and his sword be placed there. Sir Giles was part of the retinue of Henry VIII that challenged all comers during the tournaments held at the Field of Cloth of Gold, the famous summit meeting between England and France at Calais in 1520. Sir Giles may have worn this helm on that occasion. It is arguably the finest of its kind to survive from that period.
This artwork is meant to be viewed from right to left. Scroll left to view more.
Artwork Details
Use your arrow keys to navigate the tabs below, and your tab key to choose an item
Title:Foot-Combat Helm of Sir Giles Capel (1485–1556)
Date:ca. 1510
Culture:possibly British
Medium:Steel
Dimensions:H. 17 1/2 in. (44.4 cm); W. 11 1/4 in. (28.6 cm); D. 9 1/2 in. (24.1 cm); Wt. 13 lb. 8 oz. (6123 g)
Classification:Helmets
Credit Line:Rogers Fund, 1904
Accession Number:04.3.274
Sir Giles Capel, Rayne Hall, Essex, England (until d. 1556; bequeathed to All Saints Chapel); All Saints Chapel, Rayne Hall, Essex, England (1556–1840; removed by Parmenter); William Parmenter, Bocking, Essex, England (1840–about 1866; sold for 10 s, to Courtauld); Edith Courtauld (later Arendrup), London, England (about 1866–80; gift to de Cosson); Baron Charles Alexander de Cosson, London (1880–93; sold on April 17, 1893, for Fr. 5,545, to Ressman); Costantino Ressman, Paris (1893–99; sold together with nine other helmets, for Fr. 50,000, to Dino); Charles Maurice Camille de Talleyrand-Périgord, Duc de Dino, Paris (1899–1904; sold to MMA).
London. The Royal Archaeological Institute of Great Britain and Ireland. "Ancient Helmets and Examples of Mail," June 3–June 16, 1880, no. 80.
London. New Gallery. "Exhibition of the Royal House of Tudor," 1890–April 6, 1890, no. 695.
London. H. M. Tower of London. "Exhibition of Armour Made in the Royal Workshops at Greenwich," May 22–September 29, 1951, no. 35 called Great Bascinet, c. 1511.
London. Victoria and Albert Museum. "Gothic: Art for England 1400–1547," October 9, 2003–January 18, 2004, no. 79.
Burges, W., and Charles A. de Cosson. Catalogue of the Exhibition of Ancient Helmets and Examples of Mail. London: The Royal Archaeological Institute of Great Britain and Ireland, 1881. pp. 73–74, no. 80, pl. VI, fig 78.
de Cosson, Charles A., and British Archaeological Association. "The Capells of Rayne Hall, Essex; With Some Notes on Helmets Formerly in the Rayne Church." The Archaeological Journal 40 pp. 64–79, ill.
New Gallery. Exhibition of the Royal House of Tudor: The New Gallery, Regent Street. London: The Gallery, 1890. no. 695.
Cosson, Charles Alexander. Le Cabinet d'Armes de Maurice de Talleyrand-Périgord, Duc de Dino. Paris: E. Rouveyre, 1901. pp. 27–28, no. B. 19, pl. 7.
Minet, William. "The Capells at Rayne, 1486–1622." Transactions of the Essex Archaeological Society (1904), pp. 243–72.
Dean, Bashford, and The Metropolitan Museum of Art. Catalogue of European Arms and Armor. Hand-book (Metropolitan Museum of Art (New York, N.Y.)), Vol. 15. New York: The Metropolitan Museum of Art, 1905. pp. 127–28, fig. 51-E.
The Viscount D. Dillon. "A Suit of Armor in the Tower of London." The Archaeological Journal 69 pp. 74–87, ill.
Laking, Guy Francis, and Charles Alexander Cosson. A Record of European Armour and Arms Through Seven Centuries, edited by Francis Henry Cripps-Day. Vol. II. London: G. Bell and Sons, 1920. pp. 155–56, fig. 492.
Hills, Alfred. "The Capell Helm and a Recently Discovered Sacring Bell." Transactions of the Essex Archaeological Society (1937), pp. 209–17.
Mann, J. G. "Armour in Essex." Transactions of the Essex Archaeological Society (1939), p. 293, pl. X.
Tower of London Armouries. Exhibition of Armour Made in the Royal Workshops at Greenwich, 22nd May–29th September, 1951. London: H. M. Stationery Office, 1951. pp. 33–34, no. 35, pl. XXXIV(a).
Grancsay, Stephen V. "The New Galleries of European Arms and Armor." The Metropolitan Museum of Art Bulletin (May 1956), p. 216, ill.
Nickel, Helmut. "English Armour in the Metropolitan Museum." The Connisseur (November 1969), p. 199, fig. 8.
Nickel, Helmut. Ullstein-Waffenbuch: eine kulturhistorische Waffenkunde mit Markenverzeichnis. Berlin: Ullstein, 1974. p. 86, ill.
Grancsay, Stephen V., and Stuart W. Pyhrr. Arms & Armor: Essays by Stephen V. Grancsay from the Metropolitan Museum of Art Bulletin 1920–1964. New York: The Metropolitan Museum of Art, 1986. pp. 421–439; fig. 107.9.
Blair, Claude. "Sir Giles Capel's Funerary Instructions, 1556." Church Monuments Society Newsletter (Winter 1987), pp. 14–15.
Blair, Claude. "The Lullingstone Helm." The Antiquaries Journal (1998), p. 303, n. 41 ("a bacinet for foot tournament").
Marks, Richard, and Paul Williamson, eds. Gothic: Art for England 1400–1547. London: V&A, 2003. p. 214, no. 79, ill.
La Rocca, Donald J. "A William Burges Sketchbook of Helmets, ca. 1880, Bashford Dean and G.F. Lawrence, and Renaissance Leatherwork from London." The Journal of the Arms and Armour Society XIX, no. 5 pp. 201–202, figs. 8, 10.
Pyhrr, Stuart W. "Of Arms and Men: Arms and Armor at the Metropolitan, 1912–2012." The Metropolitan Museum of Art Bulletin (Summer 2012), p. 8, fig. 6.
La Rocca, Donald J. How to Read European Armor. New York: The Metropolitan Museum of Art, 2017. pp. 90–91, fig. 104.
Jaquet, Daniel. "Hans Talhoffer’s Fight Book, a Sixteenth-Century Manuscript about the Art of Fighting." Heilbrunn Timeline of Art History (2018), http://www.metmuseum.org/toah/hd/fight/hd_fight.htm (August 2018). ill.
Richardson, Thom. "Pieces of Advantage: Tournament Armour in Tudor England." In Tournaments: A Thousand Years of Chivalry, edited by Stefan Krause. London: Thomas Del Mar Ltd., 2022. pp. 119–21, 128, fig. 3, n. 17.
The Met's Libraries and Research Centers provide unparalleled resources for research and welcome an international community of students and scholars.
The Met Collection API is where all makers, creators, researchers, and dreamers can connect to the most up-to-date data and public domain images for The Met collection. Open Access data and public domain images are available for unrestricted commercial and noncommercial use without permission or fee.
Feedback
We continue to research and examine historical and cultural context for objects in The Met collection. If you have comments or questions about this object record, please complete and submit this form. The Museum looks forward to receiving your comments.
