MetPublications

Every two years the fall issue of The Met's quarterly Bulletin celebrates notable recent acquisitions and gifts to the collection. Highlights of Recent Acquisitions 2020–2022 include the Mantuan Roundel by Gian Marco Cavalli, a recently rediscovered tour de force from the early Renaissance; the archive of photographer James Van Der Zee, one of the most celebrated chroniclers of Black life in New York City during the Harlem Renaissance; a pair of sculptures by the renowned contemporary American artist Robert Gober; Thomas Sully’s magisterial portrait of Queen Victoria; and Poussin’s Agony in the Garden, one of only two accepted works by the artist in oil on copper. This publication also honors the many generous contributions from donors that make possible the continued growth of The Met collection.

This Bulletin highlights five millennia of extraordinary artistic production on the African continent. Twenty-one pairings unite masterpieces from the Museum’s collections of ancient Egyptian and West and Central African art to reveal unexpected parallels and contrasts across time and cultures. The title pays special homage to Senegalese scholar and humanist Cheikh Anta Diop, whose book The African Origin of Civilization: Myth or Reality (1974) challenged prevailing attitudes and advocated for recentering Africa as the source of humanity’s common ancestors and many widespread cultural practices. Building on Diop’s premise, this volume allows readers to delve into the rich histories and diverse artistic traditions from the cradle of human creativity.

The first of a special two-part edition of Recent Acquisitions, this Bulletin celebrates works acquired by the Museum in 2019 and 2020, many of which were gifts bestowed in honor of the Museum’s 150th anniversary year. Highlights of this volume include a sumptuous set of handscrolls depicting The Tale of Genji, a second-century Roman wellhead, a drawing of a landscape by French artist Claude Lorrain, and nearly one hundred Indian paintings. This publication also honors the many generous contributions from donors that make possible the continued growth of The Met's collection.

The Metropolitan Museum Journal is issued annually and publishes original research on works of art in the Museum’s collection. Highlights of volume 55 include an essay on Buddhist imagery in a medieval Chinese silk painted banner, a discussion of a rare 19th-century keyed guitar, and a contextualization of Ed Ruscha’s books of photographs of L.A. streets and gas stations of the 1960s and ’70s.

In honor of the institution’s 150th year, this publication celebrates the 203 collectors who committed more than 2,500 works of art to The Met for the sesquicentennial. These meaningful additions change the ways in which we think about the Museum’s holdings and deepen the stories The Met can tell about all the works in the collection. Highlights featured in this volume include an imposing stone head from an Egyptian sarcophagus; an opulent horse armor commissioned by King Philip IV of Spain; a Tibetan war mask; an early American daguerreotype; Sir Edward Burne-Jones’s enigmatic watercolor; an early twentieth-century Japanese bamboo shrine cabinet; poignant photographs made by Robert Frank for his iconic series The Americans; the Cuban American artist Carmen Herrera’s 1949 tondo Iberic; Steve Miller’s 1961 Gibson guitar; important works by Georg Baselitz; art from the Iranian Saqqakhana school; the vibrant bark painting of Aboriginal Australian artist Nonggirrnga Marawili; and recent creations by artists such as Cecily Brown, Peter Doig, Robert Gober, and Wangechi Mutu.

The Metropolitan Museum of Art’s renowned collection spans the globe and represents over five thousand years of human creativity. This innovative book celebrates the Museum’s 150th anniversary and highlights its the most popular works while offering fresh ways of exploring visual culture from prehistory to the present. Art = also celebrates the 20th anniversary of The Met’s award-winning online feature, the Heilbrunn Timeline of Art History. The book draws on the diversity of interests expressed by the Museum’s online visitors by featuring wide-ranging texts and images from the most viewed webpages of this popular digital project. Unlike traditional surveys of art history, this volume groups works of art by thematic keywords, providing a new perspective on these well-known paintings, sculptures, photographs, decorative arts, and much more. The nearly 900 works of art in Art = appear across three color-coded chapters: Material/Technique, Period/Place/Style, and Object/Subject. In the first section, works of art are grouped by medium or method such as Drawing, Marble, Watercolor, and Wood. The second section organizes work by time period, movement, or geography, allowing readers to focus on topics such as Ancient Egyptian Art, Impressionism, and Japanese Art. The third section arranges work by motifs, such as Flowers, Food, and Motherhood and by object type, like Furniture, Jewelry, and Self-Portrait. Art = also features more than 160 informative essays written by the Museum’s experts that offer additional cultural and historical context. Color-coded symbols link each essay and work of art to other essays and keywords. The publication’s dynamic structure provides an experience that is different on each reading, inspiring new connections and raising the question: What does art equal today?

Published to celebrate The Metropolitan Museum of Art’s 150th anniversary, Making The Met, 1870–2020 examines the institution’s evolution from an idea—that art can inspire anyone who has access to it—to one of the most beloved global collections in the world. Focusing on key transformational moments, this richly illustrated book provides insight into the visionary figures and events that led The Met in new directions. Among the many topics explored are the impact of momentous acquisitions, the central importance of education and accessibility, the collaboration that resulted from international excavations, the Museum’s role in preserving cultural heritage, and its interaction with contemporary art and artists. Complementing this fascinating history are more than two hundred works that changed the very way we look at art, as well as rarely seen archival and behind-the-scenes images. In the final chapter, Met Director Max Hollein offers a meditation on evolving approaches to collecting art from around the world, strategies for reaching new and diverse audiences, and the role of museums today.

Featuring beautiful color reproductions and enlightening descriptions, this is the definitive guide to one of the largest, and most beloved, collections of art in the world. More than a simple souvenir book, The Metropolitan Museum of Art Guide provides a comprehensive view of art history spanning five millennia and the entire globe, beginning with the ancient world and ending in contemporary times. It includes media as varied as painting, photography, costume, sculpture, decorative arts, musical instruments, arms and armor, works on paper, and many more. Presenting works ranging from the ancient Egyptian Temple of Dendur to Canova's Perseus with the Head of Medusa to Sargent's Madame X, this revised edition is an indispensable volume for lovers of art and art history, and for anyone who has ever dreamed of lingering over the most iconic works in the Metropolitan's unparalleled collection.

The Metropolitan Museum Journal is issued annually and publishes original research on works of art in the Museum’s collection. Highlights of volume 53 include an exquisite pair of 17th-century Chinese birthday gift portraits of an elderly couple, a hidden painting of a Rococo-inspired nude underneath Manet’s 1862 Mademoiselle V. . . . in the Costume of an Espada, and a new identification of the central figure in Daumier’s The Third-Class Carriage.