Egypt in the New Kingdom (ca. 1550–1070 B.C.)

See works of art
  • Head of Ahmose I
    2006.270
  • Seated Statue of Hatshepsut
    29.3.2
  • Block from a Relief Depicting a Battle
    13.180.21
  • Model of the foreleg of a horned animal, perhaps from a foundation deposit
    2006.16
  • Sphinx of Amenhotep III, possibly from a Model of a Temple
    1972.125
  • Gazelle
    26.7.1292
  • Arched Harp (shoulder harp)
    43.2.1
  • Foreigners in a Procession
    1985.328.13
  • Whip Handle in the Shape of a Horse
    26.7.1293
  • Akhenaten Sacrificing a Duck
    1985.328.2
  • Pair of Clappers
    32.5.2a,b
  • Head of a princess from a group statue
    2005.363
  • Canopic Jar with a Lid in the Shape of a Royal Womans Head
    30.8.54
  • Two Princesses
    1985.328.6
  • Royal hand
    1985.328.1
  • Ripe barley
    1985.328.24
  • Haremhab as a Scribe of the King
    23.10.1
  • Artists Sketch of Pharaoh Spearing a Lion
    26.7.1453
  • Stelophorous Statue of Bay
    66.99.94,2009.253

Works of Art (20)

Essay

Late in the Second Intermediate Period (ca. 1640–1550 B.C.), the Theban rulers (Dynasty 17) began to drive the Hyksos kings (Dynasty 15) from the Delta. This was finally accomplished by Ahmose I, who reunited Egypt, ushering in the New Kingdom—the third great era of Egyptian culture. Ahmose’s successors in Dynasty 18 conducted military campaigns that extended Egypt’s influence in the Near East and established Egyptian control of Nubia to the fourth cataract. As a result, the New Kingdom pharaohs commanded unimaginable wealth, much of which they lavished on their gods, especially Amun-Re of Thebes, whose cult temple at Karnak was augmented by succeeding generations of rulers and filled with votive statues commissioned by kings and courtiers alike.

Although the rulers of Dynasty 19 established an administrative capital near their home in the Delta, Thebes remained a cultural and religious center. The pharaohs built their mortuary temples here and were buried in huge rock-cut tombs decorated with finely executed paintings or painted reliefs illustrating religious texts concerned with the afterlife. A town was established in western Thebes for the artists who created these tombs. At this site (Deir el-Medina), they left a wealth of information about life in an ancient Egyptian community of artisans and craftsmen.

Known especially for monumental architecture and statuary honoring the gods and pharaohs, the New Kingdom, a period of nearly 500 years of political stability and economic prosperity, also produced an abundance of artistic masterpieces created for use by nonroyal individuals.

Catharine H. Roehrig
Department of Egyptian Art, The Metropolitan Museum of Art

October 2000

Citation

Roehrig, Catharine H. “Egypt in the New Kingdom (ca. 1550–1070 B.C.).” In Heilbrunn Timeline of Art History. New York: The Metropolitan Museum of Art, 2000–. http://www.metmuseum.org/toah/hd/nking/hd_nking.htm (October 2000)

Further Reading

D'Auria, Sue, Peter Lacovara, and Catharine H. Roehrig. Mummies & Magic: The Funerary Arts of Ancient Egypt. Boston: Museum of Fine Arts, 1988.

Freed, Rita E. Egypt's Golden Age: The Art of Living in the New Kingdom, 1558–1085 B.C. Boston: Museum of Fine Arts, 1981.

Hayes, William C. The Scepter of Egypt: A Background for the Study of Egyptian Antiquities. 2 vols. Cambridge, Mass.: Harvard University Press, 1953-59.

Hill, Marsha, Deborah Schorsch, eds. Gifts for the Gods: Images from Ancient Egyptian Temples. New York: Metropolitan Museum of Art; New Haven: Yale University Press, 2007.

Roehrig, Catharine H., ed. Hatshepsut: From Queen to Pharaoh. New Haven: Yale University Press, 2005.

Schulz, Regine, and Matthias Seidel, eds. Egypt: The World of the Pharaohs. Cologne: Könemann, 1998.

Additional Essays by Catharine H. Roehrig

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