Artists and Amateurs: Etching in Eighteenth-Century France

The exhibition is made possible by The Schiff Foundation.

The catalogue is made possible by Karen B. Cohen.

Exhibition objects

Featured Media

Sunday at the Met—Artists and Amateurs: Etching in Eighteenth-Century France

Program information

Perrin Stein, Curator, Department of Drawings and Prints, The Metropolitan Museum of Art

"The Multiple Original in Eighteenth-Century France"
Jonathan Bober, Curator and Head of Old Master Prints, National Gallery of Art

"When Is a Copy Not a Copy?"
Rena Hoisington, Curator and Head of the Department of Prints, Drawings, and Photographs, Baltimore Museum of Art

What distinguishes an amateur from a professional printmaker artist? When is a copy not a copy? Discover the answers to these questions in the context of eighteenth-century France with Jonathan Bober, Rena Hoisington, and Perrin Stein. 

This program is held in conjunction with the exhibition Artists and Amateurs: Etching in Eighteenth-Century France.

Recorded October 20, 2013

Artists and Amateurs

Etching in Eighteenth-Century France

October 1, 2013–January 5, 2014

Accompanied by a catalogue

Throughout the eighteenth century, a large number of artists—painters, sculptors, draftsmen, and amateurs—experimented with etching, a highly accessible printmaking technique akin to drawing. Some, like Antoine Watteau and François Boucher, encountered the process within the thriving commerce of the Paris print market. Others, like Jean-Honoré Fragonard and Hubert Robert, experimented with the technique during their student years in Rome. Over the course of the century, the free and improvisational aesthetic of the etching process increasingly was embraced, and French artists looked to seventeenth-century masters, such as Rembrandt in the north, and Salvator Rosa and Giovanni Benedetto Castiglione to the south, for inspiration. The expressive potential of the technique was also explored in a more experimental manner by artists like Gabriel de Saint-Aubin and Louis Jean Desprez, who harnessed the inky tonalities of the medium to their personal and idiosyncratic vision. The exhibition includes loans from North American museums and private collections.