Crossbow Brooch

ca. 430
On view at The Met Fifth Avenue in Gallery 301
Crossbow brooches were in vogue as sumptuous imperial gifts from 280 to the mid-sixth century. One of seven extant with pierced openwork, this brooch represents an intermediate stage in the development of such objects, datable to about 480. Our example, like one from the grave of Omharus, king of the Gepids, has a Latin cross in the center of the top panel, making it overtly Christian.

The point of the pin is inserted into a socket in the brooch's foot, and the looped pinhead fits into a perforation at the back center of the head. The pinhead is released by unscrewing the left hexagonal terminal. Because of its sophistication as a mechanism, the screw became a status symbol in jewelry.

Artwork Details

Object Information
  • Title:
    Crossbow Brooch
  • Date:
    ca. 430
  • Geography:
    Made in Rome/Constantinople
  • Culture:
    Late Roman or Byzantine
  • Medium:
    Gold
  • Dimensions:
    Overall: 4 11/16 x 2 3/16 x 1 9/16 in. (11.9 x 5.5 x 4 cm)
  • Classification:
    Metalwork-Gold
  • Credit Line:
    Purchase, Lila Acheson Wallace Gift, 1995
  • Object Number:
    1995.97
  • Curatorial Department: Medieval Art and The Cloisters

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2800. Crossbow Brooch

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Byzantine emperors gave gold crossbow fibulas to soldiers, state officials, and allied chieftains and kings as signs of imperial friendship. This elaborate safety-pin was used to secure the official cloaks of state and military officers. The pin of the fibula is released by unscrewing the onion-shaped terminal to the right. Most fibulae use a simple catch-plate to fasten the pin. The novelty and relative complexity of the screw mechanism made this piece an even more valuable gift.

A Latin cross embedded in a lacey pattern decorates this fibula. It is made with an open-work technique in which the designs are punched into gold sheet to create tiny perforations. The head of the cross represents the imperial Christian monogram, Chi Rho—or the first letters of Christ's name in Greek. Alpha and omega, the first and last letters in the Greek alphabet, are suspended from the arms of the cross, symbolizing the all-encompassing nature of God. The presence of Christian symbolism here probably doesn’t represent an attempt to evangelize the barbarians, many of whom were already Christian. Rather, the recipient would have seen the cross as a symbol of the power of the empire.

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