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Rubens, Helena Fourment (1614–1673), and Their Son Frans (1633–1678)

ca. 1635
On view at The Met Fifth Avenue in Gallery 618
The artist, his wife Helena, and one of their sons appear within an idealized version of the garden at the mansion Rubens built in his native city of Antwerp. The leather strap across Rubens’s chest alludes to his right, as a nobleman, to carry a sword, while the rhyming ribbon tied across his son’s chest playfully positions him as his father’s heir. There was a nearly forty-year age gap between Rubens and his second wife, whom contemporaries widely recognized as his muse and model. The juxtaposition of her plump and pearlescent young hand with his ruddy and weathered one emphasizes both their physical disparities and their physical connection.

This painting was seized by the Nazis from baron Édouard de Rothschild in Paris and restituted to him in 1946.

Artwork Details

Object Information
  • Title: Rubens, Helena Fourment (1614–1673), and Their Son Frans (1633–1678)
  • Artist: Peter Paul Rubens (Flemish, Siegen 1577–1640 Antwerp)
  • Date: ca. 1635
  • Medium: Oil on wood
  • Dimensions: 80 1/4 x 62 1/4 in. (203.8 x 158.1 cm)
  • Classification: Paintings
  • Credit Line: Gift of Mr. and Mrs. Charles Wrightsman, in honor of Sir John Pope-Hennessy, 1981
  • Object Number: 1981.238
  • Curatorial Department: European Paintings

Audio

Cover Image for 816. Kids: Rubens, His Wife Helena Fourment (1614-1673), and One of Their Children, Part 1

816. Kids: Rubens, His Wife Helena Fourment (1614-1673), and One of Their Children, Part 1

Gallery 617

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[MUSIC—PERIOD INSTRUMENTAL EXPRESSING PEACE, CONTENTMENT.] NARRATOR: Step back a few feet and look at this large painting all at once.

Peter Paul Rubens painted this portrait of himself with his wife and one of their children. How could Rubens paint a portrait of himself? Many artists paint self-portraits by studying their reflections in a mirror.

Rubens married Helena Fourment when he was a widower in his fifties. How old does Helena look here? You might think she’s around the same age as Rubens. Actually, she’s still a teenager, thirty seven years younger than her husband! She holds her little boy on a leading string, so he can’t wander off. He’s named Peter Paul, like his father. He’s only two or three, but he’s dressed like a tiny grown-up. This includes his blue sash and heavy shoes, and a flat, white collar like his father’s.

So where’s the story in this painting? It’s not a myth, a legend, or a biblical scene. Instead, Rubens painted this portrait as a kind of biography. It tells the story of three lives. Take a moment to look at every part of the painting. What does it say about the Rubens family? When you’re ready to continue, press the green PLAY button.

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