Tibet and India: Buddhist Traditions and Transformations
THE METROPOLITAN MUSEUM OF ART BULLETIN | VOLUME 71 | NUMBER 3

Tibet and India: Buddhist Traditions and Transformations

Behrendt, Kurt
2014
48 pages
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As Buddhism spread out from north India, the place of its origin in the sixth century BC, the core ideas of this great religious tradition were often expressed through images. This Bulletin and the exhibition it accompanies, "Tibet and India: Buddhist Traditions and Transformations," focus on Indian and Tibetan Buddhist art of the eleventh and twelfth centuries, a period that witnessed both the end of the rich north Indian Buddhist tradition and the beginning of popular Buddhist practice in Tibet. At this critical juncture in Buddhist history, a number of Tibetan monks traveled down out of the Himalayas to study at the famed monasteries of north India, where many also set about translating the vast corpus of Buddhist texts. As they visited these centers of scholarship and the pilgrimage sites associated with the Buddha's life, the monks encountered refined works of art—from complex stone carvings to delicately illustrated palm-leaf manuscripts—made by workshops that had been active for more than 1,400 years. These profound works of religious art and the Tibetan images that followed them help shed light on how the Tibetans received and transformed the north Indian image-making tradition.

Met Art in Publication

Portrait of the Indian Monk Atisha, Distemper and gold on cloth, Tibet
early to mid-12th century
Buddha Preaching the First Sermon at Sarnath, Black stone, India (Bihar, probably Nalanda)
11th century
Buddha Shakyamuni, Brass with colored pigments, Central Tibet
12th century
Seated Buddha Reaching Enlightenment, Flanked by Avalokiteshvara and Maitreya, Black schist, India, Bihar, Nalanda monastery
late 10th–11th century
Model of the Mahabodhi Temple, Quartz-muscovite-chlorite-talc phyllite, India, Bihar
12th century
Votive Plaque: Seated Buddha in a Temple, Terracotta, India, Bihar, possibly Bodhgaya or Nalanda
ca. 9th–10th century
Votive Plaque (Tsa Tsa) Depicting a Stupa, Sun-dried clay, painted, Tibet
10th–11th century
Stele with Eight Great Events from the Life of the Buddha, Black schist with traces of gilding, India, Bihar, possibly from Nalanda
10th century
Crowned Buddha, Bronze inlaid with silver, lapis lazuli, and rock crystal, India (Bihar)
10th–11th century
Votive Stupa with Four Buddhas, Schist, India, Bihar
10th–11th century
Six-Armed Bodhisattva Avalokiteshvara Sitting in a Posture of Roya Ease: Folio from a Manuscript of the Ashtasahasrika Prajnaparamita (Perfection of Wisdom), Mahavihara Master, Opaque watercolor on palm leaf, India, West Bengal or Bangladesh
Mahavihara Master
early 12th century
Pair of Manuscript Covers with Three Deities and Three Hierarchs, Distemper and gold on wood, Tibet
ca. 12th century
Shiva as Mrityunjaya, the Conquerer of Death, Black stone, Bangladesh or India (Bengal)
12th century
The Bodhisattva Maitreya, Distemper on cloth, Tibet
11th or early 12th century
Green Tara Dispensing Boons to Ecstatic Devotees: Folio from a Manuscript of the Ashtasahasrika Prajnaparamita (Perfection of Wisdom)

, Mahavihara Master, Opaque watercolor on palm leaf, India, West Bengal or Bangladesh
Mahavihara Master
early 12th century
6th–8th century
Shrine Relief Fragment Depicting Ashtamahabhaya Tara, the Buddhist Savioress
, Wood, India (Himachal Pradesh)
10th–11th century
Bodhisattva in a Mountain Grotto, Playing a Stringed Instrument (Vina), Leaf from a Dispersed Pancavimsatisahasrika Prajnapramita Manuscript, Opaque watercolor on palm leaf, India (Bengal) or Bangladesh
ca. 1090
Kurukulla Dancing in Her Mountain Grotto: Folio from a Manuscript of the Ashtasahasrika Prajnaparamita (Perfection of Wisdom)


, Mahavihara Master, Opaque watercolor on palm leaf, India, West Bengal or Bangladesh
Mahavihara Master
early 12th century
Mahapratisara, the Buddhist Protectress, Black stone, India, Bihar
10th century
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