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The first major museum exhibition to focus on the highly influential group of New York artists known as the "Pictures Generation" will be presented at The Metropolitan Museum of Art from April 21 through August 2, 2009. The Pictures Generation, 1974–1984 will trace the development of one of the most important art movements of the last quarter of the 20th century, which included some of the key figures in contemporary art: Robert Longo, Cindy Sherman, Richard Prince, Sherrie Levine, David Salle, Matt Mullican, Jack Goldstein, James Welling, and Troy Brauntuch. The "Pictures Generation" worked in all mediums—photography chief among them—to explore how images shape our perceptions of ourselves and the world. Drawing from the Museum's collection as well as from public and private collections, the exhibition will feature more than 160 works by 30 artists, including photographic works by Barbara Kruger, Laurie Simmons, James Casebere, Allan McCollum, Sarah Charlesworth, and Louise Lawler, and film and video by Ericka Beckman, Michael Smith, and Dara Birnbaum. The exhibition will also examine the pivotal roles played by lesser-known artists such as Paul McMahon and Michael Zwack.
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The Pictures Generation, 1974–1984, on view at The Metropolitan Museum of Art from April 21 through August 2, 2009, will include performances, videos, and music by several contemporary New York artists, as well as related film screenings and audio features. This is the first major museum exhibition to focus exclusively on the highly influential group of artists known as the "Pictures Generation." Working most often in photography, but also in painting, sculpture, performance, film, video, and audio, this tightly knit group of artists explored how images shape our perceptions of ourselves and the world. Featured are 160 works by 30 artists, including Jack Goldstein, Robert Longo, Troy Brauntuch, Sherrie Levine, Cindy Sherman, Richard Prince, David Salle, Matt Mullican, Louise Lawler, and Dara Birnbaum, among others. As part of the exhibition, three large-scale drawings by Robert Longo will also be presented in the Great Hall.
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An exhibition featuring exceptional works of African and Oceanic sculpture selected from the extensive holdings of the Barbier-Mueller Museum in Geneva, one of Europe's preeminent private collections of non-Western art, will go on view at The Metropolitan Museum of Art on June 2. Presenting more than 35 works—most never before seen in the United States—African and Oceanic Art from The Barbier-Mueller Museum, Geneva: A Legacy of Collecting will explore the wide spectrum of artistic creativity from two distinct regional traditions that have profoundly influenced world art.
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Applications must be received by Friday, April 24, from all media outlets wishing to be considered for accreditation to cover red-carpet arrivals at The Metropolitan Museum of Art's Costume Institute Gala Benefit, which will be held on the evening of Monday, May 4, 2009, to inaugurate the exhibition The Model as Muse: Embodying Fashion.
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The early Joseon period, a time of extraordinary artistic achievements in Korea, will be explored in a loan exhibition opening at The Metropolitan Museum of Art in March 2009. Showcasing approximately 47 spectacular works—painting, ceramics, metalwork, and lacquer—Art of the Korean Renaissance, 1400-1600 will illustrate the lively and nuanced story of the formidable cultural renaissance that flourished during these two centuries. Drawn from major museums and collections in Korea, Japan, Germany, and the United States—including the National Museum of Korea; Leeum, Samsung Museum of Art; Kyushu National Museum of Japan; Museum of Oriental Ceramics, Osaka; Museums of East Asian Art, Cologne; Museum of Fine Arts, Boston; Cleveland Museum of Art; Mary and Jackson Burke Foundation; and the Florence and Herbert Irving Collection—the exhibition will also include the Metropolitan's recently acquired mid-16th-century hanging scroll, Gathering of Government-officials. The presentation will launch a series of focused exhibitions on important periods in Korean art history, to be held at the Museum over the next 10 to 15 years.
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Drawn entirely from the extensive resources of The Metropolitan Museum of Art, Arts of the Ming Dynasty: China's Age of Brilliance will present a grand array of artworks created during one of the most celebrated dynasties in Chinese history. Featuring 70 paintings and calligraphies, including masterpieces by Wang Fu (1362-1416), Xia Chang (1388-1470), Wen Zhengming (1470–1559), Dong Qichang (1555–1636), and Chen Hongshou (1599–1652), the exhibition will examine various artistic trends as well as the distinctive personal expressions of many of the leading artists of the time. The works will be complemented by more than 30 ceramics, textiles, lacquers, cloisonnés, jades, and bamboo carvings that will showcase the material prosperity experienced during the period.
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(New York—January 13, 2009) The Metropolitan Museum of Art has accepted the promised gift of 250 exceptional examples of American art pottery from the collector Robert A. Ellison Jr., it was announced at a meeting of the Museum's Board of Trustees today. The collection—which spans the years 1876 through 1956 and represents all regions of the nation—ranks among the foremost of its kind, and will be unveiled on the mezzanine level of the Museum's Charles Engelhard Court when the second phase of the newly renovated American Wing opens on May 19, 2009.
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The first exhibition to focus entirely on the radiant late interiors and still-life paintings of Pierre Bonnard (1867–1947) will open January 27, 2009, at The Metropolitan Museum of Art. Pierre Bonnard: The Late Interiors features 80 paintings, drawings, and watercolors that date from 1923 to 1947, when Bonnard centered his painting activity in Le Cannet, a hill town in the south of France. Working in his modest house overlooking the Mediterranean, Bonnard's paintings transformed the rooms and objects that surrounded him into dazzling images infused with intense light. It is these luminous late interiors that define Bonnard's modernism and prompt a reappraisal of his reputation in the history of 20th-century art. Among the 45 paintings, 16 watercolors and gouaches, and 19 drawings and sketches in the exhibition are numerous rarely seen works from private collections, as well as loans from prominent museums in Europe and the U.S. The exhibition will also reunite several pictures that once hung side-by-side on Bonnard's studio wall in Le Cannet.
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Raphael to Renoir: Drawings from the Collection of Jean Bonna is the first comprehensive exhibition dedicated to the European Old Master and 19th-century drawings from this distinguished Swiss collection. On view at The Metropolitan Museum of Art beginning January 21, 2009, Raphael to Renoir provides a rare opportunity to see 120 master drawings, ranging across 500 years of the history of art, from the Renaissance to 1900. Representing a range of artistic schools, the selection includes works by famous artists—such as Carpaccio, Raphael, Andrea del Sarto, Parmigianino, Canaletto, Rembrandt, Claude Lorrain, Watteau, Chardin, Boucher, Fragonard, Goya, Ingres, Gericault, Delacroix, Manet, Burne-Jones, Whistler, Degas, Cézanne, Redon, Renoir, Gauguin, Van Gogh, and Seurat—as well as superb and poignant drawings by lesser-known artists.
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Nine thousand picture postcards amassed by American photographer Walker Evans (1903–1975) are among the fascinating works in The Walker Evans Archive, acquired by The Metropolitan Museum of Art in 1994. Walker Evans and the Picture Postcard, to be presented at the Museum from February 3 through May 25, 2009, will be a dynamic installation of hundreds of these postcards from Evans's collection, which he built and refined over the course of 60 years. The direct influence of the postcard on his pictorial style will be demonstrated with the inclusion of a small group of Evans's own photographs, also from the Museum's collection.