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From the decade before the Revolution to the eve of World War I, many of America's most acclaimed painters captured in their finest works the temperament of their respective eras. They recorded and defined the emerging character of Americans as individuals, citizens, and members of ever-widening communities. Opening at The Metropolitan Museum of Art this fall, American Stories: Paintings of Everyday Life, 1765–1915 will bring together for the first time more than 100 of these iconic pictures that tell compelling stories of life's tasks and pleasures. The first overview of the subject in more than 35 years, the exhibition includes loans from leading museums and private lenders—and many paintings from the Metropolitan's own distinguished collection. American Stories features masterpieces by John Singleton Copley, Charles Willson Peale, William Sidney Mount, George Caleb Bingham, Winslow Homer, Thomas Eakins, John Singer Sargent, Mary Cassatt, William Merritt Chase, John Sloan, and George Bellows, and notable works by some of their key colleagues.
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"What Japan was, she owed to the samurai. They were not only the flower of the nation but its root as well." From Bushido: The Soul of Japan by Inazo Nitobe (1907)
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The Du Paquier ceramic manufactory, founded by Claudius Innocentius du Paquier in Vienna in 1718, was only the second factory in Europe able to make true porcelain in the manner of the Chinese. This small porcelain enterprise developed a highly distinctive style that remained Baroque in inspiration throughout the history of the factory, which was taken over by the State in 1744. Imperial Privilege: Vienna Porcelain of Du Paquier, 1718–44, at The Metropolitan Museum of Art through March 21, 2010, charts the history of the development of the Du Paquier factory, setting its production within the historic and cultural context of Vienna in the first half of the 18th century. The exhibition features more than 100 works, half drawn from the Metropolitan Museum's superb collection, and half from the premier private collection of this material.
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The first comprehensive exhibition of Luo Ping's paintings ever presented in America, Eccentric Visions: The Worlds of Luo Ping (1733-1799) will bring together nearly 60 works, including many Chinese "National Treasures," by one of the most celebrated painters in 18th-century China. Complemented by 27 pieces from American collections, this momentous international-loan exhibition will reveal the range and brilliance of the artist's vision as well as his place among his peers. Highlights of the exhibition will include the sensational handscroll Ghost Amusements (ca. 1766)—one of the best known paintings in the late imperial China—depicting the world of ghosts that, he claimed, he had seen with his own eyes. The youngest of the so-called "Eight Eccentrics," a group of highly individualistic artists active in the prosperous metropolis of Yanzhou, Luo Ping was an extraordinary artist, whose works influenced the course of later Chinese painting.
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Velázquez Rediscovered, a special exhibition on view at The Metropolitan Museum of Art until February 7, 2010, features a newly identified painting by Velázquez, Portrait of a Man, formerly ascribed by the Museum to the workshop of Velázquez and recently reattributed to the master himself following its cleaning and restoration. It will be shown alongside other works from the Museum's superior collection of works by the great Spanish painter.
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Although lacquer is used in many Asian cultures, the art of carving lacquer is unique to China. Showcasing some 50 wondrously wrought examples, Cinnabar: The Chinese Art of Carved Lacquer, opening on August 6, will explore the development of this important artistic tradition from the 13th to the 18th century. Drawn from The Metropolitan Museum of Art's holdings as well as the collection of Florence and Herbert Irving, the installation will feature a number of masterworks, including newly acquired, rare 13th-century lacquer boxes for holding incense or cosmetics, and a recently restored eight-panel screen depicting a birthday celebration in an elaborate private compound. Dated 1773, this screen has never before been exhibited in public.
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New York, July 10, 2008)—After 15 years as Senior Consultant for modern and contemporary art at The Metropolitan Museum of Art, Nan Rosenthal will retire on July 1, it was announced today by Gary Tinterow, Engelhard Curator in Charge of the Department of Nineteenth-Century, Modern, and Contemporary Art at the Metropolitan.
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Arts of Korea Gallery
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Nearly a dozen examples of early Jewish art—dating from the first through the seventh century C.E.—are on view in the south gallery of the Mary and Michael Jaharis Galleries for Byzantine art and the Medieval Europe Gallery. Works on loan from the Jewish Theological Seminary, The American Numismatic Society, and the Judy and Michael Steinhardt Collection, New York, are shown alongside objects from the holdings of the Metropolitan.
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Monumental Tapestry is Highlight of Multi-Year Project at Met's Northern Manhattan Branch