Brush Holder

China

Not on view

The brush pot is painted in ink with a scene of a twisting plum branch growing above and behind a craggy and precariously-tilted rock. A poem, presumably written by the artist who painted the pot, fills the remaining space. A six-character mark written on the bottom indicates that the pot was produced during the Guangxu period at the end of the Qing dynasty:

金吉金寫菖蒲,拳石曰石為嫁蒲。余謂既嫁蒲家郎,非梅不得也。余亦寫菖蒲拳石,表綴梅華 一枝。戊午胡公壽記于海上精舍。[印]:公壽

Jin Jijin [Jin Nong, 1687-1764] painted the calamus, mentioning [in the inscription] the [metaphorical] marriage of a lump of rock to the calamus. In my opinion, for marrying the young man of the calamus family, the plum is indispensable. I paint calamus and rocks, too, to set off the plum branch. In the wuwu year [1858] Hu Gongshou (1823-1886) records this in his studio in Shanghai. [seal]: Gongshou 大清光緒年製
Made in the Guangxu reign era [1875-1908] of the Great Qing dynasty.

Brush Holder, Porcelain painted with ink over a white glaze (Dehua ware), China

Due to rights restrictions, this image cannot be enlarged, viewed at full screen, or downloaded.

Open Access

As part of the Met's Open Access policy, you can freely copy, modify and distribute this image, even for commercial purposes.

API

Public domain data for this object can also be accessed using the Met's Open Access API.