“Kanzan” (Hanshan)

Inoue Yūichi Japanese

On view at The Met Fifth Avenue in Gallery 232

The explosive brushwork of this oversize composition straddles the realms of calligraphy and abstract art. The inscribed characters—“Kanzan” (Chinese: Hanshan)—refer to an eccentric Chinese monk of the Tang dynasty (618–907), a poet-recluse inseparable from his companion, Jittoku (Chinese: Shide). Across East Asia, Kanzan and Jittoku are revered as ideal models for those seeking spiritual fulfillment through the cultivation of poetry.

Growing up in postwar Japan, Inoue Yūichi struggled to find a personal artistic voice grounded in traditional East Asian calligraphic practice and discovered that he was more inspired by the abstract gestural art advocated by rebellious Japanese and Western artists. Famous Zen phrases—like this one—were an important part of his repertoire as he engaged with the Japanese calligraphy tradition and brought it into the modern era.

#2088. "Kanzan" (Cold Mountain)

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“Kanzan” (Hanshan), Inoue Yūichi (Japanese, 1916–1985), Panel; ink on Japanese paper, Japan

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