Inrō with Shells and Seaweeds amid Rocks and Waves

Japan

On view at The Met Fifth Avenue in Gallery 199

Inrō are small, light, tightly nested boxes worn hanging from a man’s obi sash, as a Japanese kimono had no pockets. The term’s literal meaning, "seal basket," probably refers to an early function, but later they held small amounts of medicine. Once they became fashion items, inrō were carefully selected according to the season or occasion and coordinated with the attached ojime (sliding bead) and netsuke (toggle) as well as with the kimono and obi. Moore and his team surely studied the rich motifs and sophisticated production methods of the inrō he collected.


The rare, early example in tortoiseshell was made at the beginning of the Edo period, when inrō were first developed. Several others from the seventeenth to the eighteenth century represent the early history and the high point of the object.

Inrō with Shells and Seaweeds amid Rocks and Waves, Inrō: four cases; lacquered wood, gold and silver takamaki-e, hiramaki-e, togidashimaki-e, cutout gold foil application, silver inlay on gold ground; metal cord runners; ojime: copper with mixed-metal inlay and gilded details; netsuke: carved ivory, Japan

Due to rights restrictions, this image cannot be enlarged, viewed at full screen, or downloaded.

Open Access

As part of the Met's Open Access policy, you can freely copy, modify and distribute this image, even for commercial purposes.

API

Public domain data for this object can also be accessed using the Met's Open Access API.