Approach to Montevideo, Uruguay
Martens made this drawing at Montevideo, where he accepted a two-year position as topographical artist on the ship Beagle, to survey the coasts of Patagonia and Tierra de Fuego (Charles Darwin was one of company). Local details are included, such as the cathedral atop a cliff, the battery, and ship-filled harbor at right, but the artist's greater interest was in picturesque effects of light and weather. He employed a palette of violet-blue, gray, and brown to suggest a tropical climate and define coastal hills, milky ocean waves, and towering clouds. Smoothly executed washes and atmospheric effects demonstrate a debt to Copley Fielding, who had taught Martens in England. This view was later engraved, with a bullock cart added in the foreground, for Robert Fitzroy's "Narrative of the Surveying Voyages of His Majesty's Ships Adventure and Beagle between the years 1826 and 1836, describing their examination of the Southern Shores of South America and the Beagle's Circumnavigation of the Globe," London, 1839.
Artwork Details
- Title: Approach to Montevideo, Uruguay
- Artist: Conrad Martens (British, London 1801–1878 Sydney, New South Wales, Australia)
- Date: 1832
- Medium: Watercolor over graphite
- Dimensions: sheet: 7 13/16 x 11 11/16 in. (19.8 x 29.7 cm)
- Classification: Drawings
- Credit Line: Purchase, Mrs. Carl L. Selden Gift, in memory of Carl L. Selden, 1993
- Object Number: 1993.8
- Curatorial Department: Drawings and Prints
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