Venetian Prints and Books in the Age of Tiepolo

Venetian Prints and Books in the Age of Tiepolo

Boorsch, Suzanne

1997

48 pages

26 illustrations

This title is out of print.

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About the authors

Suzanne Boorsch

Met Art in Publication

Plate 7: The Doge Attends the Giovedi Grasso Festival in the Piazzetta, from 'Ducal Ceremonies and Festivals' (Le Feste Ducali)

Giovanni Battista Brustolon

ca. 1766

Compendio delle vite de' pittori veneziani istorici più rinomati del presente secolo con suoi ritratti tratti dal naturale delineati ed incisi

Alessandro Longhi

1762

Classical Ruins with Equestrian Statue and Circular Temple

Marco Ricci

1723–30

Le Fabriche, e vedute di Venetia, Luca Carlevaris Italian, plates: etching — Le Fabriche, e vedute di Venetia
Luca Carlevaris
1703

Illustration for a Book: Surrender of the Keys of a City to an Emperor, Giovanni Battista Tiepolo Italian, Black chalk. Horizontal and vertical centering lines ruled in faint black chalk — Illustration for a Book: Surrender of the Keys of a City to an Emperor
Giovanni Battista Tiepolo
1696–1770

Landscape with a Fishing Scene

Anton Maria Zanetti the Elder

1721

Portrait of Anton Maria Zanetti the Elder, Giovanni Antonio Faldoni Italian, Etching and engraving — Portrait of Anton Maria Zanetti the Elder
Giovanni Antonio Faldoni
ca. 1725

The Virgin and Child with Saint John the Baptist, Anton Maria Zanetti the Elder Italian, Chiaroscuro woodcut, with dark brown line block and medium brown and mustard yellow tone blocks — The Virgin and Child with Saint John the Baptist
Anton Maria Zanetti the Elder
1722

Giuliano Giampiccoli

1735 (?)

Classical Ruins with Equestrian Monument

Giovanni Domenico Ferretti

1743

Studies of Heads, Francesco Algarotti Italian, Etching — Studies of Heads
Francesco Algarotti
ca. 1744

Diversarum Iconum...Series Secunda, Anton Maria Zanetti the Elder Italian, Chiaroscuro woodcuts, etchings, and engravings — Diversarum Iconum...Series Secunda
Anton Maria Zanetti the Elder
1749

Plate I: the Piazzetta seen from the Molo

Antonio Maria Visentini

ca. 1766

John Baptist Jackson

1739

The Locks at Dolo, an oval-shaped basin with boats at center, buildings on either side, a fruit vendor and groups of figures in the foreground, from 'Views' (Vedute altre prese da i luoghi altre ideate da Antonio Canal), Canaletto (Giovanni Antonio Canal) Italian, Etching; second state of three — The Locks at Dolo, an oval-shaped basin with boats at center, buildings on either side, a fruit vendor and groups of figures in the foreground, from 'Views' (Vedute altre prese da i luoghi altre ideate da Antonio Canal)
Canaletto (Giovanni Antonio Canal)
1735–46

Imaginary View of Venice, houses at left with figures on terraces, a domed church at center in the background, boats and boat-sheds below, and a seated man observing from a wall at right in the foreground, from 'Views' (Vedute altre prese da i luoghi altre ideate da Antonio Canal), Canaletto (Giovanni Antonio Canal) Italian, Etching; undivided plate, only state — Imaginary View of Venice, houses at left with figures on terraces, a domed church at center in the background, boats and boat-sheds below, and a seated man observing from a wall at right in the foreground, from 'Views' (Vedute altre prese da i luoghi altre ideate da Antonio Canal)
Canaletto (Giovanni Antonio Canal)
1741

La Gerusalemme liberata

Torquato Tasso

1745

Studj di pittura gia dissegnati da Giambatista Piazzetta

Marco Alvise Pitteri

1760

Title page and series of 21 etchings in the "Magnificentiores Selectioresque Urbis Venetiarum Prospectus"

Michele Marieschi

1741

The Sacrifice of Polyxena, from "Bacchanals and Histories", Francesco Fontebasso Italian, Etching — The Sacrifice of Polyxena, from "Bacchanals and Histories"
Francesco Fontebasso
1744

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Boorsch, Suzanne. 1997. Venetian Prints and Books in the Age of Tiepolo: Exhibition Held at] the Metropolitan Museum of Art, [New York, January 23-April 27, 1997. New York: Metropolitan museum of art.