Ink Art: Past as Present in Contemporary China

Hearn, Maxwell K.
2013
206 pages
Dedalus Foundation Exhibition Catalogue Award, Honorable Mention (2014)
BIGNY Book Show, Winner (2014)
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Ink Art: Past as Present in Contemporary China is published in conjunction with the first exhibition at The Metropolitan Museum of Art devoted solely to the contemporary art of China. A unique feature of this landmark event is how it positions contemporary art from a non-Western culture within an encyclopedic art museum: displayed in the Museum’s permanent galleries for Chinese painting and calligraphy, the exhibition examines these works as part of the continuum of Chinese culture, a tradition that extends back for millennia. While these works may also be appreciated from the perspective of global contemporary art, examining them through the lens of China’s historical artistic paradigms reveals layers of meaning and cultural significance that might otherwise go unnoticed.

Met Art in Publication

Biographies of Lian Po and Lin Xiangru  


, Huang Tingjian  Chinese, Handscroll; ink on paper, China
Huang Tingjian
ca. 1095
Fung Ming Chip
2001
Landscape, Shao Fan  Chinese, Pencil on paper, China
Shao Fan
2009
Wind among the Trees on the Riverbank, Ni Zan  Chinese, Hanging scroll; ink on paper, China
Ni Zan
1363
Joys of the Fisherman, Wang Fu  Chinese, Handscroll; ink on paper, China
Wang Fu
ca. 1410
Evening dress, Charles James  American, silk, American
Charles James
ca. 1944
Cocktail dress, Charles James  American, wool, American
Charles James
1950s
Being Open and Empty, Wang Dongling  Chinese, Hanging scroll; ink on paper, China
Wang Dongling
2005
Dark (Heaven) and Yellow (Earth), Wang Dongling  Chinese, Horizontal scroll; ink on paper, China
Wang Dongling
2005
Coming Through the Gorges, Li Huasheng  Chinese, Hanging scroll; ink on paper, China
Li Huasheng
1986
Divine Light 2000–8, Zhang Yu  Chinese, Hanging scroll; ink on paper, China
Zhang Yu
2000
Decorative Accessory (Ruyi) with Longevity Fungus, Peaches, and Narcissus, Jade (jadeite), China
18th century
Under the Wave off Kanagawa (Kanagawa oki nami ura), also known as The Great Wave, from the series Thirty-six Views of Mount Fuji (Fugaku sanjūrokkei), Katsushika Hokusai  Japanese, Woodblock print; ink and color on paper, Japan
Katsushika Hokusai
ca. 1830–32
Shadow, Shao Fan  Chinese, Rosewood, China
Shao Fan
2009
Dream of China, Wang Jin  Chinese, Polyvinyl chloride with nylon fishing line, iron chain, hook, China
Wang Jin
2008
Artificial Rock #10, Zhan Wang  Chinese, Stainless steel, China
Zhan Wang
2001
Untitled, Zeng Fanzhi  Chinese, Bronze, China
Zeng Fanzhi
2009
Round-backed Armchair, Shao Fan  Chinese, Stainless steel, China
Shao Fan
2000
Round-backed Armchair, Shao Fan  Chinese, Stainless steel, China
Shao Fan
2000

Citation

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———. 2013. Ink Art: Past as Present in Contemporary China [Exhibition, Metropolitan Museum of Art, New York, December 11, 2013-April 6, 2014]. New York New Haven London: The Metropolitan museum of art distributed by Yale university press.