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Portrait of Gerard de Lairesse, Rembrandt (Rembrandt van Rijn) Dutch, Oil on canvas — Portrait of Gerard de Lairesse
Rembrandt (Rembrandt van Rijn)
1665–67

Dish: The Destruction of the Hosts of Pharaoh, Master IC (probably Jean Court) or French, Limoges, Painted enamel on copper, partly gilt. — Dish: The Destruction of the Hosts of Pharaoh
Master IC (probably Jean Court)
Jean Cour (or Court)
probably early 17th century

Burgomaster Jan van Duren (1613–1687), Gerard ter Borch the Younger Dutch, Oil on canvas — Burgomaster Jan van Duren (1613–1687)
Gerard ter Borch the Younger
ca. 1666–67

Margaretha van Haexbergen (1614–1676), Gerard ter Borch the Younger Dutch, Oil on canvas — Margaretha van Haexbergen (1614–1676)
Gerard ter Borch the Younger
ca. 1666–67

Condesa de Altamira and Her Daughter, María Agustina, Goya (Francisco de Goya y Lucientes) Spanish, Oil on canvas — Condesa de Altamira and Her Daughter, María Agustina
Goya (Francisco de Goya y Lucientes)
1787–88

Portrait of a Man, probably a Member of the Van Beresteyn Family, Rembrandt (Rembrandt van Rijn) Dutch, Oil on canvas — Portrait of a Man, probably a Member of the Van Beresteyn Family
Rembrandt (Rembrandt van Rijn)
1632

Portrait of a Woman, probably a Member of the Van Beresteyn Family, Rembrandt (Rembrandt van Rijn) Dutch, Oil on canvas — Portrait of a Woman, probably a Member of the Van Beresteyn Family
Rembrandt (Rembrandt van Rijn)
1632

Ogee frame, Oak lower moldings; lime upper moldings. Carved, gilt; brown-orange bole., French — Ogee frame
French
ca. 1700–1720

Rectangular table, Walnut, carved., Italian or American (United States) — Rectangular table
Italian or American (United States)
early 20th century

Christ and the Woman of Samaria, Suzanne de Court French, Painted enamel on copper, partly gilt — Christ and the Woman of Samaria
Suzanne de Court
late 16th or early 17th century

Credence (chest), Walnut, French — Credence (chest)
French
mid-19th century

The Molo, Venice, from the Bacino di San Marco, Luca Carlevaris Italian, Oil on canvas — The Molo, Venice, from the Bacino di San Marco
Luca Carlevaris
ca. 1709

The Bacino, Venice, with the Dogana and a Distant View of the Isola di San Giorgio, Luca Carlevaris Italian, Oil on canvas — The Bacino, Venice, with the Dogana and a Distant View of the Isola di San Giorgio
Luca Carlevaris
ca. 1709

Piazza San Marco, Venice, Luca Carlevaris Italian, Oil on canvas — Piazza San Marco, Venice
Luca Carlevaris
ca. 1709

The Molo, Venice, Looking West, Luca Carlevaris Italian, Oil on canvas — The Molo, Venice, Looking West
Luca Carlevaris
ca. 1709

Aquamanile in the Form of a Lion, Bronze; binary copper alloy (approx. 88% copper, approx. 8% tin) hollow cast,<br/>chased, engraved, and gilded., North German, Lubeck (?) — Aquamanile in the Form of a Lion
North German, Lubeck (?)
ca. 1230 or early nineteenth century

Late 17th-century style Ogee frame, Oak lower moldings; lime upper moldings. Carved, gilt; orange-red bole., French — Late 17th-century style Ogee frame
French
1870–80

Frame, Wood, French — Frame
French
ca. 1900–1920

Watchcase cover: Pomona and Vertumnus, Suzanne de Court French, Painted enamel, partly gilt on copper; mounted on brass; silver-gilt frame. — Watchcase cover: Pomona and Vertumnus
Suzanne de Court
first quarter 17th century

Watchcase cover: Alcyone Praying to Juno, Jean II Reymond French, Limoges, Painted enamel, partly gilt, on copper; mounted on brass; silver gilt frame. — Watchcase cover: Alcyone Praying to Juno
Jean II Reymond
ca. 1615–25

Satyr, Desiderio da Firenze Italian, Copper alloy with a reddish brown patina; the base and shell with a dark brown patina. — Satyr
Desiderio da Firenze
Severo Calzetta da Ravenna
ca. 1530

Andiron with the Figure of Jupiter, Niccolò Roccatagliata (?), Venice Italian, Bronze, dark brown wax or lacquer patina. — Andiron with the Figure of Jupiter
Niccolò Roccatagliata
17th century or later

Rectangular table, Walnut, maple, poplar., Italian (?) — Rectangular table
Italian (?)
possibly late 19th century or first half of 20th century

Watchcase cover: Tisiphone Casting Snakes at Athamas and Ino, Jean de Court or French, Painted enamel, partly gilt on copper, mounted on brass; silver-gilt frame — Watchcase cover: Tisiphone Casting Snakes at Athamas and Ino
Jean de Court
Suzanne de Court
first quarter of the 17th century

Triumph of Ceres, Suzanne de Court French, Painted enamel, partly gilt and partly silvered, on copper — Triumph of Ceres
Suzanne de Court
probably late 16th–early 17th century

Cassone (chest), pair with 1975.1.1947, Walnut, carved and partially gilded; coniferous wood., Italian (Rome or Siena?) — Cassone (chest), pair with 1975.1.1947
Italian (Rome or Siena?)
mid-16th century (with 19th century additions)

Hope, Master IDC or, Painted enamel, partly gilt, on copper. — Hope
Master IDC
Jean Cour (or Court)
late 16th to early 17th century

Minerva, Jean Limosin French, Limoges, Painted enamel on copper, partly gilt. — Minerva
Jean Limosin
ca. 1605

Watchcase cover: Perseus and Andromeda, Jean II Reymond French, Limoges, Painted enamel, partly gilt, on copper; mounted on brass; silver-gilt frame. — Watchcase cover: Perseus and Andromeda
Jean II Reymond
1615–25

Faith, Master IDC or, Painted enamel, partly gilt, on copper — Faith
Master IDC
Jean Cour (or Court)
late 16th century or early 17th century

Conversion St. Paul, Suzanne de Court French, Painted enamel on<br/>copper, partly gilt. — Conversion St. Paul
Suzanne de Court
late 16th to early 17th century

Ogee frame, Oak. Carved, gilt; red-orange bole., French — Ogee frame
French
ca. 1710–20

Satyress and her Infant, Severo Calzetta da Ravenna Italian, Indirect cast; copper alloy, dark brown with areas of black patina. — Satyress and her Infant
Severo Calzetta da Ravenna
ca. 1520 or later

Candlestick in the Form of a Kneeling Angel, Giambologna , possibly Hans Reichle (German, Schongau 1570–1642 South Tyrol) Netherlandish, Reddish copper alloy covered with a natural, warm brown patina — Candlestick in the Form of a Kneeling Angel
Giambologna
ca. 1590–1600

Candlestick in the Form of a Kneeling Angel, Giambologna , possibly Hans Reichle (German, Schongau 1570-1642 South Tyrol) Netherlandish, Reddish copper alloy covered with a natural, warm brown patina. — Candlestick in the Form of a Kneeling Angel
Giambologna
ca. 1590–1600

Mirror: Venus Mourning the Dead Adonis, Suzanne de Court French, Painted enamel, partly gilt and partly silvered, on copper; silver; glass. — Mirror: Venus Mourning the Dead Adonis
Suzanne de Court
early 17th century

Watch, Suzanne de Court and French, Case of brass with plaques of painted enamel on copper, partly gilt and partly silvered, and silver-gilt mounts. Dial of brass with traces of gilding and with a silver chapter of hours; in the center a disk of painted enamel on copper and a gilt-brass hand. — Watch
Suzanne de Court
Bernard of Paris
first quarter of 17th century

Folding armchair (sedia a Savonarola), Walnut, partly turned; red silk cut velvet; gilt metal; silk, Italian — Folding armchair (sedia a Savonarola)
Italian
15th century (textile); 19th century (chair: with earlier parts)

Chandelier, Brass, Netherlandish, (Rotterdam?) — Chandelier
Netherlandish, (Rotterdam?)
18th century

Folding armchair (sedia a Savonarola), Walnut, carved and incised; red silk cut velvet; linen., Italian (possibly) — Folding armchair (sedia a Savonarola)
Italian (possibly)
15th century (textile); 19th century (chair, with earlier parts)