This Buddha image embodies the qualities of radiant inner calm and stillness, the products of supreme wisdom. The figure once raised his right hand (now missing) in the characteristic abhaya-mudra, a gesture dispelling fear and imparting reassurance. The Buddha is robed in the simple, uncut cloth of a monk, and his religiosity is further conveyed by a large halo and auspicious markings (lakshanas), both natural and supernatural, denoting Buddhahood (the state of perfect enlightenment), As the summation of stylistic development in a period of Buddhist expansion, this representation became the benchmark for the Buddha image throughout Asia.
Mr. M. Volkart , Shanghai and Switzerland (by 1948, bequeathed to Tresoldi); ; Guido Tresoldi Swiss, born 1938 , Lugano (until 1978; consigned to Gamma Art ); ; [ Gamma Art International , Vaduz, Liechtenstein, until 1979, sold to MMA ]
New York. The Metropolitan Museum of Art. "The Pala-Sena Period," 2007.
New York. The Metropolitan Museum of Art. "The Philippe de Montebello Years: Curators Celebrate Three Decades of Acquisitions," October 24, 2008–February 1, 2009.