The grip is sheathed in silver and etched with foliage around shaped panels inlaid with laminated metal that has a wood-grain pattern. This Japanese technique, called mokume ("wood grain"), was one of various metalworking forms explored by Tiffany and Company's chief designer, Edward C. Moore (1827–1891). His experimentation with Japanese design elements and media helped to establish Tiffany's international reputation in the 1870s.
Inscription: Stamped along the top of the barrel: SMITH & WESSON SPRINGFIELD MASS. U.S.A./PAT'D MAY 11.1880.JAN 3. 1882. APRIL 9, 1889, with a small stamped cross at either end; Stamped on the left side of the barrel: 32 S. & W. CTG, with markings at either end; Inside the face of the cylinder, the serial no.: 17156; Beneath the cylinder on the silver extension in front of the trigger: TIFFANY & CO 10077M 7658/STERLING, as well as scratched numbers and letters, perhaps applied in the Tiffany workshop.
Pyhrr, Stuart W. "Of Arms and Men: Arms and Armor at the Metropolitan, 1912–2012." The Metropolitan Museum of Art Bulletin 70, no. 1 (Summer 2012). p. 46, fig. 76.