References Max J. Friedländer. Letter (presumably to M. Knoedler & Co.) . November 14, 1935.Metropolitan Museum of Art Bulletin 31 (April 1936), pp. 80–84, ill.Die altniederländische Malerei . 14, Leiden, 1937, pp. 118–19, nachtr. pl. 29.The Metropolitan Museum of Art: A Catalogue of Early Flemish, Dutch and German Paintings . New York, 1947, pp. 115–17, ill.Art Treasures of the Metropolitan: A Selection from the European and Asiatic Collections of The Metropolitan Museum of Art . Exh. cat., The Metropolitan Museum of Art. New York, 1952, p. 227, no. 100, colorpl. 100.Early Netherlandish Painting: Its Origins and Character . Cambridge, Mass., 1953, vol. 1, p. 448 n. 6 (to p. 218).Connoisseur 138 (September 1956), p. 18.Les primitifs flamands au Musée Metropolitain de New York . Utrecht, 1960, pp. 84–85, 127, figs. 27A, B and C.Bulletin of The Cleveland Museum of Art 55 (March 1968), p. 79, ill.Joachim Patinir . Princeton, 1968, pp. 11–12, 16–18, 35–36, 42 n. 72, pp. 45, 51, 77, no. 14, figs. 35, 37–38 and frontispiece.Art Quarterly 32, no. 4 (1969), p. 432.Painting and Sculpture in Germany and the Netherlands 1500 to 1600 . Baltimore, 1969, p. 154, pl. 145.in Monique Gierts in "Joos van Cleve, Jan Provost, Joachim Patenier." Early Netherlandish Painting . 9, part 2, New York, 1973, pp. 125–26, Supp. 266, pls. 250–51.Quentin Metsys . Brussels, 1975, pp. 189, fig. 229 (exterior wings).The Metropolitan Museum of Art . New York, 1980, pp. 200–201, fig. 365.Patinir ou l'harmonie du monde . Paris, 1980, pp. 70, 90–91, 96, 104, 123, figs. 80, 83, 85, 87, 89 (overall and details).Portfolio (May/June 1981), pp. 42–43, ill.Kunsthistorisches Jahrbuch Graz 18 (1982), pp. 186–87, 192 n. 7, fig. 15 (central panel).La peinture au pays de Liège: XVIe, XVIIe et XVIIIe siècles . Liège, 1987, p. 32, ill. (color).in The Metropolitan Museum of Art: The Renaissance in the North . New York, 1987, pp. 12, 54–57, ill. in color (overall and details).Joachim Patinir: Landscape as an Image of the Pilgrimage of Life . Amsterdam, 1988, pp. 6–7, 52–57, fig. 8."Mirror of the Earth": The World Landscape in Sixteenth-century Flemish Painting . Princeton, 1989, pp. 4, 7–8, 10, fig. 1.8.in Flemish Paintings in America: A Survey of Early Netherlandish and Flemish Paintings in the Public Collections of North America . Antwerp, 1992, pp. 108–111, ill. in color (overall and detail).in "Kith and Kin: A Rediscovered Sacred Image by Massys." Shop Talk: Studies in Honor of Seymour Slive . Cambridge, Mass., 1995, p. 234.Burlington Magazine 140 (December 1998), p. 856, ill.Dosso Dossi: Court Painter in Renaissance Ferrara . Exh. cat., The Metropolitan Museum of Art. New York, 1998, p. 196, ill.Journal of Medieval and Early Modern Studies 28 (Winter 1998), pp. 170, 172.in From Van Eyck to Bruegel: Early Netherlandish Painting in The Metropolitan Museum of Art . Exh. cat., The Metropolitan Museum of Art. New York, 1998, pp. vii, 70, 74, 257, 270, 323, 335–42, 379, 386, no. 88, ill. (color, overall and details) and frontispiece (color).in Autour de Henri Blés . Exh. cat., Musée des Arts Anciens du Namurois. [Namur], 2000, pp. 154–56, 234, 246, ill. (overall and detail).Landschap en Wereldbeeld: Van Van Eyck tot Rembrandt . Bossum, The Netherlands, 2004, pp. 123, 198, fig. 28.Hieronymus Bosch . New York, 2006, p. 366, colorpl. 287.in Patinir: Essays and Critical Catalogue . Exh. cat., Museo Nacional del Prado. Madrid, 2007, p. 29 n. 25, pp. 30–31, 36–37, 59, 78, 84, 223, 277, 282–91, 294, 376no. 19, ill. in color (overall and details), and infrared reflectograms of details.Letter . June 11, 2007.in Patinir: Essays and Critical Catalogue . Exh. cat., Museo Nacional del Prado. Madrid, 2007, p. 332.
Add to My Met Gallery
Print
Previous View
Enlarge
Zoom