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Part of The American Wing
Olin Levi Warner (American, West Suffield, Connecticut 1844–1896 New York)
Date: 1891; cast 1906Accession Number: 06.315
Alexander Phimister Proctor (American, Bosanquet, Ontario 1860–1950 Palo Alto, California)
Date: 1912, cast 1913 or afterAccession Number: 48.149.29
Cyrus Edwin Dallin (Springville, Utah 1861–1944 Arlington Heights, Massachusetts)
Date: 1913; cast ca. 1916Accession Number: 2013.441
Thomas Moran (American (born England), Bolton, Lancashire 1837–1926 Santa Barbara, California)
Date: 1897Accession Number: 39.47.2
Hermon Atkins MacNeil (American, Everett, Massachusetts 1866–1947 Queens, New York)
Date: 1903; cast ca.1907Accession Number: 39.65.54a, b
Charles Schreyvogel (1861–1912)
Date: After 1900Accession Number: 62.241.4
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Beginning in the 1820s, the American West inspired artists to explore its vast thematic potential, from the breathtaking beauty of the landscape to the gripping adventures of scouts and trappers. After the Civil War, industrialization and urbanization fueled a market for art that mythologized the vanishing frontier, while the saturation of American culture with genteel sentimentality inspired a countervailing yearning for heroes who tested their manhood in dangerous lands. Frederic Remington and other painters and sculptors represented in this gallery celebrated cowboys and cavalrymen, who also emerged as stars of fiction, the popular press, and motion pictures. At the same time, the government's slaughter of the buffalo herds and the decimation and relocation of native peoples encouraged artists to glorify endangered animals and to commemorate American Indians as a noble, doomed race.
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