Go to Navigation
Go to Content
Go to Search
Part of European Paintings
Cosmè Tura (Cosimo di Domenico di Bonaventura) (Italian, Ferrara ca. 1433–1495 Ferrara)
Date: 1470sAccession Number: 49.7.17
Master G.Z. (Italian, active Ferrara first third 15th century)
Date: ca. 1420–30Accession Number: 65.181.5
Donato de' Bardi (Italian, Lombard, active by 1426–died 1450/51)
Date: ca. 1425–30Accession Number: 37.163.1–3
Carlo Crivelli (Italian, Venice (?), active by 1457–died 1495 Ascoli Piceno)
Date: ca. 1480Accession Number: 49.7.5
Browse current and upcoming exhibitions and events.
The centers of North Italian painting were Milan, Venice, Bologna, and Ferrara. Venice aside, the art of each of these schools was an art of the courts, with a premium placed on rich surface treatment, naturalistic details, and elegance. The defining mediums were goldsmith's work and illuminated manuscripts, from which paintings often borrowed their aesthetic. A self-conscious style modeled on the prevailing intricacy of literary description was highly valued. Only gradually over the course of the fifteenth century did the Renaissance sensibility forged in Florence, with its emphasis on the imitation of classical art, gain the upper hand.
Main Building 1000 Fifth Avenue (at 82nd Street), New York, NY 10028 | 212-535-7710 (TTY: 212-650-2921)
The Cloisters 99 Margaret Corbin Drive, Fort Tryon Park, New York, NY 10040 | 212-923-3700 (TTY: 212-570-3828)